I would like magical palm tree that had a lot of shade with instead of coconuts there's just peanut butter jelly sandwiches with cheetos underneath. And my wife that is always happy and possibly naked.

With dancing, you have to know spatial movement with somebody. It is steps. It's literally steps and knowing how close to be or how far away. You have to have the beat in the right place with the camera.

There are so many great stories and characters out there that you can just keep saying, "Yes," but you've got to eventually make the decision that if it's something you really want then do it for yourself.

Daniel Day-Lewis and Sean Penn to me are the two best actors of all time. I'm just glad to have the pleasure to be in an era that they're acting while I'm acting. They're probably the best actors in my mind.

Well, the first and only time I went hunting, I shot a deer, and it mortified me. I just couldn't do it again. But I know a lot about guns, so I go to the gun range and stuff like that with friends sometimes.

'The Vow,' I didn't know if people were going to want to see it, but we felt good about it. We we're like, 'Alright, either way, I liked the movie for what it was,' and I think we knew exactly what we were trying to do.

But I stuttered as a kid. I went to classes to help it, and it just went away around fourth grade, when I became more aware of how others spoke, I think. But also, growing up in the South, a mumble is a way of speaking.

The abuse of prescription pills is a real thing. I understand that there are people that really need them and I understand that there are people that abuse them, and it's just a gray line that unfortunately has to exist.

I see caring for somebody as a creative outlet. I like drawing little faces and writing little stories and hiding them in places. I don't think it's that hard to be thoughtful, especially when you do care about the person.

I was in college that first semester, and I was like, 'Wow, this isn't who I am. This isn't what I want to do.' I was like, 'Oh God, I'm going to have to go out and make something of myself, and I have no clue what that is.'

In wrestling, there is no retreat. No way to slow things down. In wrestling, you advance and advance, and being tired is just a lie to make the other guy think he can relax. It's so hard - harder than anything I've ever done.

You don't need to like any of the characters, as long as you can understand why and where they're from. Why do you need to like any of the characters in the movie? That's not how life is. You don't like everyone that you meet.

I read so slow. If I have a script, I'm going to read it five times slower than any other actor, but I'll be able to tell you everything in it. It kills me that there are standardized tests geared towards just one kind of child.

I think the best thing to try to do is allow your daughter or your son to know that they can come to you for anything. If you can break down that wall so they don't feel embarrassed by telling you things, that's half the battle.

If I can still be successful making films and no-one will ever know me, then that would be great. Because we (actors) just like to do what we do. People who are doing it for fame, I don't know if they ever get really successful.

I'm not pretty. The truth is I didn't think I could be a model at all. I was looking at some of the guys on the walls at Irene Marie and I thought to myself 'Jesus Christ. I can't do this. I don't look anything like these guys'.

There's a dance that happens with you and that's why I really like doing it with stunt men, because they know how to dance generally better than actors do. It is choreography and if you aren't used to doing it things can go wrong.

It's embarrassing to tell you how much my friends make fun of me. Seriously, when you have a doll made of your face, it's ridiculous how creative your friends can get... pictures, videos, little animated cartoons that they've made.

Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.

As much as you can love someone, is as much as you can hate someone. It goes in equal and opposite directions. Like if you love someone so much and they hurt you so bad, then that is as equal as to how much you can have rage for them.

I love the supporting characters because you get to do more, to be totally honest. It's been sort of a theme with me. In Son of No One, I think I might have seven lines in the entire movie because everything is happening to my character.

I think the action movies in the 80s and 90s were different. It was a testosterone age. Steven Seagal, Jean-Claude Van Damme and Sylvester Stallone - they fuelled my childhood. But now I don't think I'd like to do just action, I don't enjoy that.

The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.

I do want to take some time and reinvent and get better and maybe get behind the camera a little more. I do want to direct at some point and start failing really early - start shooting videos and then commercials and then hopefully do some narrative.

I'm a fat kid on the inside. I love food so much, and I fluctuate about 25 to 30 pounds between movies. I feel like I have to do a chess movie that requires very little movement at some point, just so I can eat pizza and play chess on the beach all day.

I talk different, I walk different, everything. I don't have one single bad memory [there]. Not one. It was my sanctuary. I hated school, wasn't good in school, and me and my dad butted heads about that. But nothing mattered when I went home to Alabama.

My dad was a roofer when I was young. I believe he owned his own roofing company in Florida. And then he fell through a roof, broke his back. Permanently. I mean, he's not paralyzed or anything, but he's had to deal with pain for all of his life since then.

I consider myself a decent athlete but when I started to train martial arts like Kung Fu, I realised it had nothing to do with how athletic you are. It's all mental. It's what you know, how you use it and your mental toughness and composure. It's incredible.

I still want to write Clint Eastwood a letter saying, 'I'm sorry, I'm sorry for all us wimp actors. You're the truth.' I guarantee he's not the person you want to fight, even now! You look at him, and you don't want to mess with him. He would still take you down.

I can completely lose myself into just absolutely satisfying things - a really amazing cheeseburger, a pizza, good fries, a beer. I enjoy being comfortable and eating whatever the hell I like. It's a big thing for me, just having the freedom to be able to do that.

For a time, it would work well. then it worked less and my pain was more. I would go through wild bouts of depression, horrible comedowns. I understand why kids kill themselves. I absolutely do. You feel terrible. You feel soul-less. "I'll never do it to my child".

Truthfully, this is how I approach my workout: I want to be the best athlete I can possibly be. If I can out-perform some of the better athletes then I'm happy. When I look at the NFL or the NBA, these guys look how I want to look - it's useable, functional muscle.

I really get inspired by songs. Like, if I hear a thug 'Want to kill ya' song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.

Playing a character that allows me to play around with some of the feelings I have inside of myself and explore them - and maybe put them to rest a little bit, or at least come to terms with them - feels successful to me. I think it's about believing in what you do.

I really get inspired by songs. Like, if I hear a thug "Want to kill ya" song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.

The director sets the tone, and if someone's ruling it with an iron fist, people are quiet and the days go long in my experience, when there's a very serious tone, the days just drag. When there's someone who, in between takes, is joking or laughing the days go quick.

If you look at any of the greats, from people like Paul Newman and Robert Redford to, you know, Brad Pitt - to get any of the kinds of roles like the ones that they've gotten, or just to be a part of any of the kinds of movies they've made, would be the end-all for me.

I was terrified to do 'G.I. Joe.' I had no idea how to do one of those movies. I was kind of scared. You know, if one of those doesn't work, it's a huge hit on your career. People are like, 'Well he couldn't make a $170 million movie work. I don't want him in my film.'

You don't try any less hard on the ones that don't. I've gotten lucky to work with some amazingly talented people that have helped the ones that have worked work. I think you just have to keep doing the stories you love and the characters that you love and are drawn to.

I don't think there's a date minimum or maximum. I don't get the whole 'All right, you've got to wait three days to call after the date.' If I got a number from a girl, I'd call that night. There's no science to it for me. You just do what it is that you feel like doing.

Soccer was the first sport that my parents put me in, and ultimately, all the parents kind of came over to my mom and were, 'We think Channing would be better at football.... We love him, he's really great, but he's kind of hurting our children.' I was just a little wild.

I think the superstar thing is completely arbitrary. It's all about who had a movie that did well one weekend. Then, if you have a movie that doesn't do well the next weekend, then, all of the sudden, you've fallen from whatever. So it doesn't really mean anything for me.

I don't know if I've ever written anything that's not a bill! I do write stories but I don't put a stamp on them. I wrote a story for my wife over Christmas and gave it to her as a present because she asked me to, but I don't put a stamp on things and send them to people.

'm just going to be a good friend to my kid. One thing I definitely want to change is that whole 'I don't want you to make the same mistakes' mentality. My dad didn't have much money growing up; he didn't have much of an education. He forced that on me, and I didn't want it.

I was not good in school. I could never read very fast or very well. I got tested for learning disabilities, for dyslexia. Then I got put on Ritalin and Dexedrine. I took those starting in the eighth grade. As soon as they pumped that drug into me, it would focus me right in.

I want a career and the thing is you really have to love acting. I didn't just fall into it and it wasn't just something I was good at. I've had to really work at this. I've had to fall on my face time and time again. You get 'no' 99 per cent of the time and a 'yes' just once.

As actors you're always afraid to go too far but Lasse Hallstrom wants you to go too far. He wants you to do it wrong, to be over-the-top, and that's so freeing to be able to think 'Now I can try and be bad'. There's no pressure on you and you don't feel you can make a mistake.

There are so many things I want to do. Like, I want to get an artist, a musician, a photographer, and a bunch of dancers that I know and just travel across Africa and just film it and just see what happens. Do and learn as much as I possibly can. Luckily, I have a lot more time.

I think, even a lot of people that make movies forget is that, in my mind, a movie should work with the sound off. You should be able to watch a movie without the sound and understand what's going on. That's your job, to build a series of chronological images that tell the story.

I know I will never wear sandals now anywhere. I got in a fight in the back of a grocery store when I was really young, like 14 or something. And I remember my feet were so torn up afterwards because I lost my sandals in the middle of the fight. My toenail was missing. It just sucked.

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