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The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory
The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory.
That book taught me that by reading, I could live more intensely. It could give me back the sight I had lost. For that reason alone, a book that didn't matter to anyone changed my life.
The haunting of history is ever present in Barcelona. I see cities as organisms, as living creatures. To me, Madrid is a man and Barcelona is a woman. And its a woman whos extremely vain.
... , listening to the storm outside as it left the city, knowing that I was going to lose her but also knowing that, for a few minutes, we had belonged to one another, and to nobody else.
The haunting of history is ever present in Barcelona. I see cities as organisms, as living creatures. To me, Madrid is a man and Barcelona is a woman. And it's a woman who's extremely vain.
Old age is the lubricant of belief. When death knocks at the door, skepticism flies out the window. A serious cardiovascular fright and a person will even believe in Little Red Riding Hood.
The only way you can truly get to know an author is through the trail of ink he leaves behind him. The person you think you see is only an empty character: truth is always hidden in fiction.
Sometimes I think that Darwin made a mistake and that in fact man is descended from the pig, because eight out of every ten members of the human race are swine, and as crooked as a hog's tail.
I wandered off, walking through streets that seemed emptier than ever, thinking that if I didn't stop, if I kept on walking, I wouldn't notice that the world I thought I knew was no longer there.
Destiny is usually just around the corner. Like a thief, a hooker, or a lottery vendor: its three most common personifications. But what destiny does not do is home visits. You have to go for it.
The rain was still crashing down, angrily machine-gunning the large windows; it poured through the gutters up in the tower and funneled along the flat roof, sounding like footsteps on the ceiling.
In Los Angeles you get the sense sometimes that there's a mysterious patrol at night: when the streets are empty and everyone's asleep, they go erasing the past. It's like a bad Ray Bradbury story.
Men are like chestnuts they sell in the street: they're all hot and they all smell good when you buy them, but when you take them out of the paper cone you realise that most of them are rotten inside.
One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep.
If you really want to possess a woman, you must think like her, and the first thing to do is win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus.
They had parted as boys, and now life presented one of them with a fugitive and the other with a dying man. Both wondered whether this was due to the cards they'd been dealt or to the way they had played them.
Delving into the past had unveiled a cruel lesson - that in the book of life it is perhaps best not to turn back pages; it was a path on which, whatever direction we took, we'd never be able to choose our own destiny.
I looked up towards the immensity of the labyrinth. "How does one choose a single book among so many?" Isaac shrugged his shoulders. 'Some like to believe it's the book that chooses the person...destiny, in other words.
I quarreled with every word, every phrase and expression, every image and letter as if they were the last I was ever going to write. I wrote and rewrote every line as if my life depended on it, and then rewrote it again.
I discovered that seventeen-year-old girls have such huge verbal energy that their brain drives them to expend it every twenty seconds. On the third day I decided I had to find her a boyfriend -- if possible, a deaf one.
In Los Angeles you get the sense sometimes that there's a mysterious patrol at night: when the streets are empty and everyone's asleep, they go erasing the past. It's like a bad Ray Bradbury story - 'The Memory Erasers'.
I'm interested in everything. I don't see why Borges can't work along with Neil Gaiman, or Stephen King can't be mixed with Balzac. It's just storytelling; it's different ways of using codes and images and words and sounds.
Are you not tempted to create a story for which men and women would live and die, for which they would be capable of killing and allowing them to be killed, of sacrificing and condemning themselves, of handling over their souls?
I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.
Don Basilio was a forbidding-looking man with a bushy mustache who did not suffer fools and who subscribed to the theory that the liberal use of adverbs and adjectives was the mark of a pervert or someone with a vitamin deficiency.
With women, the best part is the discovery. There's nothing like the first time, nothing. You don't know what life is until you undress a woman for the first time. A button at a time, like peeling a hot sweet potato on a winter's night.
All I know is that once Julián told the kids in the building that he had a sister only he could see. He said she came out of mirrors as if she were made of thin air and that she lived with Satan himself in a palace at the bottom of a lake.
My work as a screenwriter has influenced my fiction. Writing screenplays forces you to consider many elements regarding story structure and other narrative devices that can be used to enhance the infinitely more complex demands of a novel.
The Cemetery of Forgotten Books is like the greatest, most fantastic library you could ever imagine. Its a labyrinth of books with tunnels, bridges, arches, secret sections - and its hidden inside an old palace in the old city of Barcelona.
For some reason, I never felt the need to have kids. My wife feels the same. We don't feel a void. I don't think they would give my life meaning. I do think of the books as my children, though. Whatever is inside of me, I put into my books.
The Cemetery of Forgotten Books is like the greatest, most fantastic library you could ever imagine. It's a labyrinth of books with tunnels, bridges, arches, secret sections - and it's hidden inside an old palace in the old city of Barcelona.
Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity.
Man...heats up like a lightbulb: red hot in the twinkling of an eye and cold again in a flash. The female, on the other hand...heats up like an iron. Slowly, over a low heat, like tasty stew. But then, once she has heated up, there's no stopping her.
People might not agree with me, but I think a woman should have a feminine shape, something you can get your hands on. You, on the other hand, look like you might be partial to the skinny type, a point of view I fully respect, don't misunderstand me.
There are two things in life you cannot choose. The first is your enemies; the second your family. Sometimes the difference between them is hard to see, but in the end time will show you that the cards you have been dealt could always have been worse.
Everything is a tale, Martin. What we believe, what we know, what we remember, even what we dream. Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. We only accept as true what can be narrated.
Whenever it poured like this, Max felt as if time was pausing. It was like a cease-fire during which you could stop whatever you were doing and just stand by a window for hours, watching the performance, an endless curtain of tears falling from heaven.
As I walked, I ran my fingers along the spines of hundreds of books. I let myself be imbued with the smell, with the light that filtered through the cracks or from the glass lanterns embedded in the wooden structure, floating among mirrors and shadows.
I always had this childhood image in the back of my mind of this fantastic place where all the things I liked came from; Orson Welles, jazz, all that stuff. Los Angeles is one of those places where somebodies become nobodies and nobodies become somebody.
If you think you’re the only person for whom life is painful, you’re wrong. And if you don’t mind letting yourself die like a dog, at least have the decency to remember that there are those of us who do care – although, to tell the truth, I don’t see why?
I spend a lot of time in L.A., and when it rains there you get the entire rainfall for the year in two days, raindrops the size of mangoes. And in Barcelona, the Mediterranean storms come up from the sea, thunder and lightning; its like the end of the world.
Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.
I spend a lot of time in L.A., and when it rains there you get the entire rainfall for the year in two days, raindrops the size of mangoes. And in Barcelona, the Mediterranean storms come up from the sea, thunder and lightning; it's like the end of the world.
I am a curious creature and put my finger in as many cakes as I can: history, film, technology, etc. I'm also a freak for urban history, particularly Barcelona, Paris and New York. I know more weird stuff about 19th-century Manhattan than is probably healthy.
I knew when I was writing The Angel's Game that a lot of people would be upset that I didn't write Shadow Of The Wind 2. That's okay, that's part of the game. You do what you have to do. If they like it, great. If they don't, too bad. What are you going to do?
Bea says that the art of reading is slowly dying, that it's an intimate ritual, that a book is a mirror that offers us only what we already carry inside us, that when we read, we do it with all our heart and mind, and great readers are becoming more scarce by the day.
I would like to save all books, those that are banned, those that are burned, or forgotten with contempt by the mandarins who want to tell us what is good and what is bad. Every book has a soul ... and I believe every book is worth saving from either bigotry or oblivion.
The only use for military service is that it reveals the number of morons in the population," he would remark. "And that can be discovered in the first two weeks; there's no need for two years. Army, Marriage, the Church and Banking: the Four Horsemen of the Apocalypse. Yes, go on, laugh.
I wondered what on earth she saw in me that could make her want to befriend me, other than a pale reflection of herself, an echo of solitude and loss. In my ..reveries, we were always two fugitives riding on the spine of a book, eager to escape into worlds of fiction and second hand dreams