Everyone tries to decipher what I write as if there's a hidden message and I'm like, 'There's no hidden message.' I don't even put that much energy into things. I wish I did.

I had a boyfriend when I was 15, out of high school. It just was with him for a very long time and I went right into my second very long relationship with no dates in between.

Having my film premiere in Cannes has always been the ultimate dream for me. It is a combination of the elegance of the festival, the setting and the quality of films that premiere there.

I'm really lucky in the sense that I have the privilege of being able to pick and choose what I do and only pick projects I really love and feel I can bring something to and I can learn from.

My travel beauty case is minimal: Neutrogena makeup remover wipes, whatever cleanser I am into in the moment, a deep hydrating serum for when I fly and a lighter moisturizer for day to day wear.

Both my parents were actors and they struggled, so I was raised with that. Being raised in this industry from a young age definitely forces you to grow up a little faster than maybe the normal kid.

Rehearsals are great because without them, you feel like you're being thrown into a lion's den. But being on set, shooting your scenes that you've been preparing for months - that's a great feeling.

In a dream world, it is to be able to continue picking and choosing projects that stand out to me and challenge me. Working with directors I look up to and alongside talented actors that push me to be better.

I tell people I went to 'Beverly Hills 90210' for high school, and everyone associates it with rich people, but you don't have to be a rich kid to go there. It was weird - my parents didn't raise me like that.

There's a reason why a lot of models turn actors. You have to connect with people, talk to people, be able to be far from home, and you have to be aware of the camera in the same way you would be when modeling.

I loved being the center of attention and making plays, but I knew the reality of being an actor because I had parents who struggled, I saw people working three jobs in order to be able to audition the next day.

I don't have one person that's a mentor. I have so many different people that do so many different things within the industry. And they've all been working for so long that they give me little pieces of advice here and there.

Mickey and the Bear' was the scariest choice I've made in my career because I feel pretty safe in the world of comedy and everything else, but I don't feel safe in deep, dark, scary roles that I took on like 'Mickey and the Bear.'

My routine while filming a movie is so basic: wake up, work, shower, sleep. I try to cut all the things that aren't absolutely imperative, so I can be 100 percent when I get to set the next day. I just feel and work better that way.

On a date night, I always wear a pump with either a baggy jean or a tight pair of black leather pants. I'll wear a plain T-shirt with a leather jacket or a bomber. If I'm feeling girly, I always do a loose dress with a pair of booties.

I'm really simple. I'm just like, wash your face, keep it hydrated, moisturize every night, whether it's a cream or serum or overnight thing. My mother's trick - who looks amazing and has no wrinkles under her eyes - is to wear eye cream every night.

The first job that I booked was a small role in James Franco's film 'Bukowski.' I had to make out with a 13-year-old kid. I think it was his first kiss. I was 15. I became so nervous on set that I actually fainted when James Franco came to direct me.

Being an actor, you know what it feels like to be directed, so when the chance comes for you to direct someone else, you know how to approach an actor without scaring them off, without making them clam up, without making them feel insecure, without getting them in their head.

I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.

I go to auditions even now and people say, 'Oh, she's too pretty,' or 'She doesn't look like a small-town girl or a girl in high school who would get bullied.' But that's the whole point of being an actress - you can look glamorous when you're on the red carpet, and then bring it all down and be raw onscreen.

The music that I listen to on set really varies. When I need lots of energy and I'm dying down towards the day, I need to play hip hop or rap or else my energy just crashes after a long day. When I'm shooting something moody or where I have to play it down a bit, I'll play Lana Del Rey or something more mellow.

We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.

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