Quotes of All Topics . Occasions . Authors
I've got a whole mantel just waiting for those awards to come, a whole big mantel. There's just so much available space. I've got the light fixtures hanging from the ceiling, all ready to shine on them. I dust it off every day.
[My father] had a massive middle-age breakdown. And left the family. And then it just completely fell apart. And my mother was heartbroken, just completely devastated. To make ends meet we started selling off all our possessions.
I've done more crap than I care to remember. I really have. 'Airwolf.' 'Murder, She Wrote.' 'Amazon Women on the Moon.' But you learn from all these bad shows. What you don't want to do and what you don't want to be involved with.
I think, and I mean this sincerely, I was raised humbly. We were a lower middle income family and a household that was scrimping by at times. We were watching the dollar, stretching the dollar, and coupons. It was all those things.
I have a bad habit of inserting my ideas into shots and things. I don't know, I don't hold back on suggesting things, but I don't have any connection to what actually happens, so I'll make a suggestion on something and then just let it go.
When I was a kid there were a very select few channels - programmes had to have more of a large appeal and they just didn't offer very much. Now you have a situation where the television world has expanded and there's hundreds of channels.
My personal feeling, if I can interject a political note, is that I don't think it is right that basic health care is a privilege. It shouldn't be. It should be a right of all human beings. And certainly in the richest country in the world.
I want to be able to experience everything. I want to experience being a husband, experience being a father, experience, maybe, hopefully, someday being a grandfather, and all those things. I want that experience. When I die, I want to be exhausted.
There's so many things that can go wrong in the execution of a project like a television show or a movie, so many little elements, any number of things, all the way to marketing - like they could market it poorly and nobody finds it and down it goes.
It's cyclical. I'm riding a wave right now, and I recognize that. I wanna do as much work as I can, do the best I can. And when it's all said and done and they say, "Get outta the water, you're done," I wanna be so exhausted that I look forward to it.
Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.
What's great about comedy, obviously, is that you set up a situation that people assume one thing and then you break the assumption. That's basically the backbone to comedy. You set up a situation, let people make an assumption, and then you break the assumption.
Any performer would love to have the opportunity to be able to express themselves in many different areas. If you feel confident in those areas, you would hope to have the opportunity to do them, whether it's drama, comedy, musical, or whatever your interests are.
It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.
The more you humanize superhero characters, the more they're relatable. The more they have a vulnerable point, whether it's emotionally or their superpower, or whatever, we relate the superpower or the loss of a superpower to their emotions. It's just fun to walk through that.
Something's happened in our society which I don't think is beneficial, and that's that you see the public being fed box-office news. Newscasts now, every local station - I've been traveling around the country a lot, and you see the local news, and they give box-office reports.
In order to be an actor you really have to be one of those types of people who are risk-takers and have what is considered an actor's arrogance, which is not to say an arrogance in your personal life. But you have to be the type of person who wants the ball with seconds left in the game.
When you're an actor in grade school, high school, college, whatever, you start to realize what you're really good at, what you're kinda good at, what you're okay at, and you start to compartmentalize. But if you know yourself and what you're capable of, it's just a matter of opportunity.
In fact, I told our dear friends, the Burrell boys, five boys lived next door to us. "Why, we don't see your dad anymore?" "Oh, yeah. Yeah. He" - I lied. I said, "He comes home at night when you guys are in bed. He gets us up and we play." I said it so much that I started to believe it myself, you know?
Let me demonstrate. When you greet a friend this is the duration of the kiss that's acceptable. "Hi, good to see you - yeah." When you make a mistake and stay too long at the lips, this is how long it is. "Hi, how are you? Good to see you." And that's what happened. It was like, "Uh-oh, what was that? Oh."
When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
Actors are inherently self-centered. We're trained to focus on who I am. What do I want? Who is in my way? How do I get this? That's how we're trained. Unfortunately, that sometimes spills over into real life. But it's all very subjective. You just try to portray someone beyond the surface, the different layers.
It's a familiar story now: a meek and depressed high school chemistry teacher with terminal cancer cooks up a scheme to make and market a superior grade of methamphetamine to provide a nest egg for his family after he's gone. But over the course of five seasons Walter White goes from milquetoast to murderous in order to survive.
I don't think life owes me anything and the business doesn't owe me anything. The only way to approach it is by working hard and loving what you do. If you do that and have faith, maybe you will get lucky. I mean that sincerely and specifically. I truly believe that no professional career in the arts is capable without a healthy dose of luck.
I don't even think about the money when I consider roles, I turn it over to my agency. Money will come. I respect it but I don't thirst for it. I wish Americans thought more like Europeans when it comes to money and work. They take time off, they do what they love. We think work is the most valued commodity. Really the most valued commodity is time.
The hardest work that actors have done, including myself, is on poorly written scripts. And when you first start out you do anything. I did a lot of crap. I did more crap than I can tell you. But you did it because you needed the money. You have to pay for your pictures and resumes, and classes and insurance and food like everybody else. In those days if it was crap you just didn't put it on your resume.
When 'Malcolm in the Middle' was over, I was looking for a drama more than a comedy...but if it was a comedy that came up, it would have to be as well-written as 'Malcolm' was, and it would have to be a different kind of character than I played on that show. That's harder to come by. In drama, there were more opportunities, more options for me, and when I read ('Breaking Bad'), it was just, 'Good night, Nurse! I'm going after this sucker!'