Quotes of All Topics . Occasions . Authors
I kind of hate the fact that people are always trying to put you into a category. I hate walls, and I hate boundaries. I don't like that. I listen to everything.
I think they can co-exist. You don't have to put one down for another. I've been bitten by the acting bug, and where it takes me, it won't take away from the music.
I am a writer - that is what I am before being a performer or musician. I love waking up in the morning and then going to sleep that night with something that did not exist.
I wanted to put jazz on the record, all the loves of music that I had on the record, so I could show people I was ahead of my 19 years. It may have been over the heads of some people.
I watch my contemporaries, and they love to live in the studio and I don't. I have a life. I treat it as a 9-to-5. I try to create something new every day, and then I get on with my life.
The hardest thing to do in this business is to still be around. When music changes, when labels' resources have dried up, it becomes harder and harder to continue to make a living at this.
I write about moments, and I don't make blanket statements about anything because no one has all the answers; nobody's come up with a foolproof way to do anything when it comes to emotions.
You know, most of my career I wrote about moments in time. All of us have felt one thing or another and it didn't last very long. Now I'm drawing from real experience. It's a huge difference.
Being a musician, you want to be able to do the hardest stuff there is. People would think it's classical, but in classical, it's all on the page and the difficulty is keeping up with the music.
I think I'd have to say my favorite IWC. They have been around for so long and the craftsmanship is top notch. A watch maker that has been in business over 100 years has to know what they are doing.
A fine timepiece is part of dressing like a gentleman. When I first made a little money, I bought my first watch which was a Rolex Daytona. It was just one of those things that said I was successful.
Every little kid that steps on the court or the field has aspirations to go pro. I think being a pro basketball player is the best job. The thing I had to realize was that I can't do every dream that I have.
As I've gotten older, now I've really got to back that up with record sales. Anytime showed me that I could still have some of those elements I wanted, but you still have to come with hit after hit after hit.
I'm constantly being courted by labels and their backing. Obviously the market is there when you talk about the economics and the numbers, but it's hard to give up the freedom of being able to do whatever you want.
I keep these songs in my head until I get behind the microphone. I never spend more than 30 or 40 minutes singing the vocal or it will sound mechanical. There are always mistakes, but it's about feeling more than being perfect.
Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them.
I kinda went back to that period between '88 and '94 where I felt like I was the most creative, without being hindered by powers that be. I was no longer going to try to hinder myself to what I thought was going to be on the radio.
I'm not thinking about what needs to be on the radio. I'm not thinking about anything other than - I'm just going to let this music come out of me and not have any sort of preconceived notion of what I should do. I'm just going to do it.
I just do what I do and hope it's accepted by the public at large. It's different from when Marvin Gaye and Stevie revolutionized what music was 25 years ago. Now there's all this technology that's available to everyone. It's tough to be ahead of anyone.
Jazz is all about improvisation and it's about the moment in time, doing it this way now, and you'll never do it this way twice. I've studied the masters. Why would I want to play ball after the guys who sit on a bench? I want to play like Michael Jordan.
I'm not like a legend that - so I'm sort of in the middle in this sort of gray area where, you know, I'm creating music and I'm not saying there isn't an audience because there is because all of those people go out and spend $80 to $150 on a concert ticket.
I'm not like a legend that - so I'm sort of in the middle in this sort of gray area where, you know, I'm creating music, and I'm not saying there isn't an audience, because there is; because all of those people go out and spend $80 to $150 on a concert ticket.
You can't listen to what people who aren't musical have to say. When Anytime was released, I had bad reviews, and at first I was hurt. Your songs are like your children. You don't want to hear, 'Your kid is ugly.' But I knew the record was good and it would sell.
Back in college, when I got kicked out of school, I was still in school, I'd just written the song that got me my record deal. If I hadn't gotten kicked out of school I wouldn't be where I am now. Three months after that, I got my record deal and the rest is history.
People now have been conditioned to believe they should only buy one song at a time, that nobody can make an entire record that would merit you paying, you know, $7, $8, $10 when CDs in the '90s were $18, $19 and people bought millions and millions and millions of them.
When the label came to me to say, 'would you like to do another record,' I said, 'Well I got these sixteen songs sitting here, so let's do it.' And that was pretty much it... I never stopped writing, it's just the way that the business is now; you just try to find a different model.
This year I've really decided to get into the best shape of my life, and I've gotten there by changing not only what I eat but when I eat and how often, as well as my usual workout routine. The combination has made such a big difference, and I finally feel in the best shape of my life.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.