There are thousands of very, very talented artists who will never be known, even after they are dead.

Everybody has dreams. You are living the American dream, what's wrong with pushing to secure it for everyone?

Within one hour of touching the brush to canvas for the first time, my students have a total, complete painting.

It's the imperfections that make something beautiful, that's what makes it different and unique from everything else.

I guess I’m a little weird. I like to talk to trees and animals. That’s okay though; I have more fun than most people.

Most painters want recognition, especially by their peers. I achieved that a long time ago with TV. I don't need any more.

We get letters every day from people wanting more mountains. As many as I paint, they still say, 'Give me more mountains.'

People look at me like I'm a little strange, when I go around talking to squirrels and rabbits and stuff. That's ok. That's just ok.

I tell people, 'You can do this.' And they write back and say, 'You were right. I can do this. And now I believe I can do anything.'

I don't know if anything in nature ever grows exactly the same, but they are always exactly as the way it should be, perfectly itself.

Traditionally, art has been for the select few. We have been brainwashed to believe that Michelangelo had to pat you on the head at birth.

I started painting as a hobby when I was little. I didn't know I had any talent. I believe talent is just a pursued interest. Anybody can do what I do.

People see you on television, and they think you make the same amount of money that Clint Eastwood does. But this is PBS. All these shows are done for free.

Little more black, little more blue. And we'll just put that in using little crisscross strokes or - or little X's, whatever you want to call them. Whatever.

Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.

The secret to doing anything is believing that you can do it. Anything that you believe you can do strong enough, you can do. Anything. As long as you believe.

In painting, you have unlimited power. You have the ability to move mountains. You can bend rivers. But when i get home the only thing i have power over is the garbage.

Don't be afraid to scrape the paint off and do it again. This is the way you learn, trial and error, over and over, repetition. It pays you great dividends, great, great dividends.

I have to paint fast on television because of the limited time, but I don't want people to see what I'm showing them as work, something to worry and fret over. This is supposed to be fun.

Oooh, if you have never been to Alaska, go there while it is still wild. My favorite uncle asked me if I wanted to go there, Uncle Sam. He said if you don't go, you're going to jail. That is how Uncle Sam asks you.

We show people that anybody can paint a picture that they're proud of. It may never hang in the Smithsonian, but it will certainly be something that they'll hang in their home and be proud of. And that's what it's all about.

I can't think of anything more rewarding than being able to express yourself to others through painting. Exercising the imagination, experimenting with talents, being creative; these things, to me, are truly the windows to your soul.

One of the questions that I hear over and over and over is, 'What do we do with all these paintings we do on television?' Most of these paintings are donated to PBS stations across the country. They auction them off, and they make a happy buck with 'em.

I was the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work. The job requires you to be a mean, tough person. And I was fed up with it. I promised myself that if I ever got away from it, it wasn't going to be that way any more.

I've never claimed that this is investment art. When we first started out, all the art colleges and universities across the country would sort of badmouth what we were doing. It's funny that a lot of them now are sending us letters saying, 'We may not totally agree with the way you paint, but we appreciate what you're doing, because you're sending literally thousands of people into art colleges.'

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