Quotes of All Topics . Occasions . Authors
I believe I've passed the age of consciousness and righteous rage. I've found that just surviving is a noble fight. I once believed in causes too; I had my pointless points of view. And life went on no matter who as wrong or right.
I guess some people in classical music can keep going until they kick (die) and the (Rolling) Stones are definitely pushing the envelope but I wonder if here's a time when you have to face whether you are as good as you used to be.
People pay a lot of money to go see shows now, they don't wanna know about your technical problems, or if you're not feeling good, they don't wanna know we have a glitch. It's their night, you better do something to earn that money.
You're having a hard time and lately you don't feel so good; You're getting a bad reputation in your neighborhood. It's alright, it's alright; Sometimes that's what it takes. You're only human, you're allowed to make your share of mistakes.
I am the entertainer, the idol of my age I make all kinds of money when I go on the stage You see me in the papers, I've been in the magazines But if I go cold, I won't get sold I get put in the back in the discount rack Like another can of beans.
I'm a piano player. I never thought of myself as a singer, at all. I was always trying to sound like somebody else. I don't like my own voice, I like Ray Charles, Robert Plant, I like Joe Cocker, Rod Stewart, people that have an edge in their voice.
If I traveled all my life And I never get to stop and settle down Long as I have you by my side There's a roof above and good walls all around You're my castle, you're my cabin and my instant pleasure dome I need you in my house 'cause you're my home.
I always wrote the music first, and the music gave me the mood and the lyrics were pretty much put in to give you a map, where that mood came from and where it's going. But my first love was really the music itself, and I guess I've gone back to that.
Well we're waiting here in Allentown For the Pennsylvania we never found For the promises our teachers gave If we worked hard If we behaved So the graduations hang on the wall But they never really helped us at all No they never taught us what was real
So many faces in and out of my life Some will last Some will be just now and then. Life is a series of hellos and goodbyes I'm afraid it's time for goodbye again. Say goodbye to Hollywood Say goodbye my baby Say goodbye to Hollywood Say goodbye my baby.
I am the entertainer and I know just where I stand Another serenader and another long haired band Today I am your champion, I may have won your hearts, But I know the game, you'll forget my name, And I won't be here in another year If I don't stay on the charts.
Slow down you're doing fine You can't be everything you want to be Before your time Although it's so romantic on the borderline tonight Too bad but it's the life you lead You're so ahead of yourself That you forfeit what you need Though you can see when you're wrong
I always thought of myself as the piano player in the band. That, I suppose, I'm confident about, and I guess my songwriting developed as I went along and I got a certain amount of confidence in that. The songs are like my kids, I'm proud of all of them for one reason or another.
I've always said about 50% of what happens at a concert has to do with the audience. If you play for a dead audience you're gonna stink. If we play for a great crowd we're much better. You want 'em to make noise. It's kinda like sex, if they don't make noise, you ain't doin' it right.
I am the entertainer, I've come to do my show You've heard my latest record, it's been on the radio It took me years to write it, they were the best years of my life It was a beautiful song but it ran too long If you're gonna have a hit you gotta make it fit So they cut it down to 3:05.
Hey Lord, would ya look out for her tonight, and make sure that all her dreams are sweet? Said now, would ya guide her on the roads, and make them softer for her feet? Hey Lord, would ya look out for her tonight, and make sure that she's gonna be alright, until she's home and here with me.
The happiest times in my life were when my relationships were going well - when I was in love with someone, and someone was loving me. But in my whole life, I haven't met the person I can sustain a relationship with yet. So I'm discontented about that. I'm angry with myself. I have regrets.
I started taking piano lessons when I was about four years old. My parents were both musicians. So I took piano lessons. I didn't like the lessons very much, but I was enchanted by music. Music always transported me somewhere. Singing made feel good and being able to play the piano made me feel good.
It's nine o'clock on a Saturday, the regular crowd shuffles in / There's an old man sitting next to me making love to his tonic and gin / He says, 'Son, can you play me a memory?/ I'm not really sure how it goes / But it's sad and it's sweet, and I knew it complete when I wore a younger man's clothes.'
I was thinking of the Four Seasons, Frankie Valli and the Four Seasons, and when I was thinking "Uptown Girl!" I was trying to sing like Frankie Valli. They had a song called "Ragdoll," which was about a poor girl and a rich guy. So I just flipped it around and made it about a rich girl and a poor guy.
I actually wrote the song first as "well, it's 9 o'clock on a Saturday." That bit. Then I said, You know what? It needs some kind of an introduction to kind of set the mood and set the flavor. So I just played this kind of cocktail lounge thing, the hustle and bustle of waitresses going by - that kind of thing.
I work with musicians whose opinions I respect and if they don't like something they don't hold back. They'll say, 'That really sucks' and 'You've lost it' and 'You're no good anymore.' And I crawl away with my tail between my legs and I fear that kind of ridicule, but I want them to like the music I'm bringing to them.
I started just concentrating on songwriting when I was abut 20; I'd been in rock bands six or seven years, kinda got that out of my system, I said, "ok, you ain't gonna be a rock star, you don't look like a rock star, it probably ain't gonna happen. So what you should do is write songs and maybe other people will do your songs."
They say that these are not the best of times, but they're the only times I've ever known. And I believe there is a time for meditation in cathedrals of our own. Now I have seen that sad surrender in my lovers eyes...and I can only stand apart and sympathize...for we are only what our situations hand us...it's either sadness or euphoria.
In every heart there is a room, a sanctuary safe and strong, to heal the wounds from lovers past, until a new one comes along... So I would choose to be with you. That's if the choice were mine to make. But you can make decisions too. And you can have this heart to break. And so it goes, and so it goes. And you're the only one who knows.
When I first started I didn't know a lot about the job, so I kinda had to figure it out by wire, ya know? It was hit and miss, I made mistakes, and fortunately I was able to recover from most of 'em. But I promised myself if I ever get to a point where I can help somebody that's trying to learn how to do this, that I would try to do that.
I didn't graduate high school, so I never got a teacher's education, I'm mostly self-read, self-taught. I always loved music, so I would probably either be in a band with another group of people, or an arranger, a producer, a musicologist, a music history guy, something to do with music. Either that, or I would probably be in jail. Or dead.
There's a place in the world for the angry young man With his working class ties and his radical plans He refuses to bend, he refuses to crawl He's always at home with his back to the wall And he's proud of his scars and the battles he's lost And he struggles and bleeds as he hangs on the cross And he likes to be known as the angry young man.
From a town known as Wheeling, West Virginia Rode a boy with a six-gun in his hand And his daring life of crime made him a legend in his time East and west of the Rio Grande. Well, he started with a bank in Colorado In the pocket of his vest a Colt he hid. And his age and his size took the teller by surprise, And the word spread of Billy the Kid.
Everybody is different. Some writers can write reams of great books and then J. D. Salinger wrote just a few. Beethoven wrote nine symphonies. They were all phenomenal. Mozart wrote some 40 symphonies, and they were all phenomenal. That doesn't mean Beethoven was a lesser writer, it's just some guys are capable of more productivity, some guys take more time.
So you play your albums and you smoke your pot And you meet your girlfriend in the parking lot Oh, but still you're aching for the things you haven't got, What went wrong? And if you can't understand why your world is so dead And why you've got to keep in style and feed your head Well, you're twenty one and still you mother makes your bed And that's too long.
I run into people from the Lehigh Valley and Allentown all over the world, and they're obviously doing pretty well. They say, "Oh, it's pretty nice there now and there's a lot of new businesses that have come into the area." Nobody's telling me, "Yeah, I left." Everybody says, "You know, I'm there. It's great. It's really nice there, and you made our town famous."
'Our parents' generation had it a lot tougher than we did. They had to live through the Depression, World War II, and then they had to, you know, try to pick up the pieces of their lives and bring up their children. And, it was a great example for us. I guess we grew up with a certain amount of the ethics our parents had, which is, you know: work hard, make your own way, be independent.
One of the last times that we played in the area before I wrote "Allentown," I remember a guy coming up to us and saying, "You're never coming back here." I said, "Why do you say that?" He said, "Well, you're probably gonna become a big star. Nobody who ever becomes big comes back here." And I felt so sad for this kid, he seemed so bitter about it. I said, "Well, I'm coming back, no matter what."
When I see an entire community disenfranchised, it disturbs me. Not that I'm a message guy, per se. I write about people. I like to write about human beings, not crap political rhetoric. I've tried to avoid that all my life. When I wrote about soldiers in Vietnam, I wasn't trying to make a political statement. I was trying to write about how screwed things were for soldiers, and how they still are.
I consider myself to be an inept pianist, a bad singer, and a merely competent songwriter. ... I'm probably writing music now for the same reason as I started writing songs when I was 14-to meet women. ... If you make music for the human needs you have within yourself, then you do it for all humans who need the same things. You enrich humanity with the profound expression of these feelings. ... My songs are like my kids.
Don't go changing to try and please me You never let me down before Don't imagine you're too familiar And I don't see you anymore I would not leave you in times of trouble We never could have come this far I took the good times, I'll take the bad times I'll take you just the way you are Don't go trying some new fashion Don't change the color of your hair. [...] I could not love you any better I love you just the way you are.
Most people you'd tell "I'm gonna be a musician," they'd say, "you're crazy, you're gonna starve, you're gonna be poor, a drug addict, go to jail, you'll never make it, there's too much competition, it's a terrible business," etc. But my chorus teacher in high school said, "you've got what it takes to be a really good professional musician, you should consider it." That was an epiphany for me. So I thought, well, maybe I can help somebody, too.