Quotes of All Topics . Occasions . Authors
When the cartoonist is trying to talk honestly and seriously about life, then I believe he has a responsibility to think beyond satisfying the market's every whim and desire.
CALVIN: When I grow up I want to be an inventor. First I will invent a time machine. Then I'll come back to yesterday and take myself to tomorrow and skip this dumb assignment.
If I had rolled along with the strip's popularity and repeated myself for another five, 10 or 20 years, the people now 'grieving' for 'Calvin and Hobbes' would be wishing me dead.
If people looked at the stars each night, they'd live a lot differently. When you look into infinity, you realize that there are more important things than what people do all day.
If I had rolled along with the strip's popularity and repeated myself for another five, 10 or 20 years, the people now "grieving" for "Calvin and Hobbes" would be wishing me dead.
Dad: Honey, have you seen my glasses? I can"t find them. Mom: I haven't seen them. Calvin: (with glasses, to Dad) Calvin, go do something you hate! Being miserable builds character!
Why does man create? Is it man's purpose on earth to express himself, to bring form to thought, and to discover meaning in experience? Or is it just something to do when he's bored?
Instead of asking what's wrong with rampant consumerism, we ought to be asking, 'What justifies it?' Popular art does not have to pander to the lowest level of intelligence and taste.
Like delicate lace, so the threads intertwine, oh, gossamer web of wond'rous design! Such beauty and grace wild nature produces... Ughh, look at that spider suck out that bug's juices!
My guess is that the editor [Cincinnati Post] wanted his own Jeff MacNelly (a Pulitzer winner at 24), and I didn't live up to his expectations. My Cincinnati days were pretty Kafkaesque.
Books are almost always better than the movies made from them, because there are things books do well and things movies do well, but usually those things don't overlap: the same with comics and animation.
They say the secret of success is being at the right place at the right time, but since you never know when the right time is going to be, I figure the trick is to find the right place and just hang around.
If you're a painter, it's simply taken for granted that you'll spend a lot of time in museums studying great paintings, but if you're a cartoonist, it used to be very hard to see an original cartoon drawing.
It's gratifying to hear that from people who care about comic art. I never know what to make of it when someone writes to say, "Calvin and Hobbes is the best strip in the paper. I like it even more than Nancy."
I've always tried to make the strip animated, even when the characters aren't moving, with expressions or perspectives or some sort of exaggeration. There's great potential for that which has yet to be fully mined.
For me, it's been liberating to put myself in the mind of a fictitious six year-old each day, and rediscover my own curiosity. I've been amazed at how one idea leads to others if I allow my mind to play and wander.
In the short term, it would make me happy to go play outside. In the long term, it would make me happier to do well at school and become successful. But in the VERY long term, I know which will make better memories.
A playful mind is inquisitive, and learning is fun. If you indulge your natural curiosity and retain a sense of fun in new experience, I think you'll find it functions as a sort of shock absorber for the bumpy road ahead.
When I get to the drawing, I really enjoy taking a big chunk of time and working on the drawing and nothing else. That allows me to make sure that I'm really challenging the art, making each picture as interesting as I can.
Hold it. You know what I'd like to see? I'd like to see the three bears eat the three little pigs, and then the bears join up with the big bad wolf and eat Goldilocks and Little Red Riding Hood! Tell me a story like that, OK?
If you've ever compared a film to a novel it's based on, you know the novel gets bludgeoned. It's inevitable, because different media have different strengths and needs, and when you make a movie, the movie's needs get served.
I've always been a huge fan of fantasy and adventure, putting yourself in someone else's shoes, I'm sure that's why I'm an actor. It's why I played with action figures as a kid, that's why I wrote and drew and read comics as a kid.
I've never sat down to quantify how many hours I actually spend on the strip. I use the deadlines to estimate my progress; each month I know that I have to produce so many strips, and by the end of the month I'll make sure that I have.
As you can see, I have memorized this utterly useless piece of information long enough to pass a test question. I now intend to forget it forever. You’ve taught me nothing except how to cynically manipulate the system. Congratulations.
Calvin: Dad where do babies come from? Dad: Well Calvin, you simply go to Sears, buy the kit and follow the assembly instructions. Calvin: I came from Sears? Dad: No you were a blue-light special at K-Mart - almost as good and a lot cheaper!
Although I'm certainly glad cartoons are finally getting some respect as an art, I'm fairly ambivalent to see cartooning as a legitimate academic offering. If comics need to be deconstructed and explained, something is really wrong with them.
Paul Gauguin asked, "Whence do we come? What are we? Where are we going?" Well, I don't know about anyone else, but I came from my room, I'm a kid with big plans, and I'm going outside! See ya later!.. Say, who the heck is Paul Gauguin anyway?
I've been interested in cartooning all my life. I read the comics as a kid, and I did cartoons for high school publications - the newspaper and yearbook and soon. In college, I got interested in political cartooning and did political cartoons.
As "Calvin and Hobbes" went on, the writing pushed the drawings into greater complexity. One of the jokes I really like is that the fantasies are drawn more realistically than reality, since that says a lot about what's going on in Calvin's head.
I wish I had more friends, but people are such jerks. If you can just get most people to leave you alone, you're doing good. If you can find even one person you really like, you're lucky. And if that person can also stand you, you're really lucky.
I was reading about how countless species are being pushed toward extinction by man's destruction of forests. . . . Sometimes I think the surest sign that intelligent life exists elsewhere in the universe is that none of it has tried to contact us.
History is the fiction we invent to persuade ourselves that events are knowable and that life has order and direction. That's why events are always reinterpreted when values change. We need new versions of history to allow for our current prejudices.
County library? Reference desk, please. Hello? Yes, I need a word definition. Well, that's the problem. I don't know how to spell it and I'm not allowed to say it. Could you just rattle off all the swear words you know and I'll stop you when...Hello?
Oh look, yet another Christmas TV special! How touching to have the meaning of Christmas brought to us by cola, fast food, and beer... Who'd have ever guessed that product consumption, popular entertainment, and spirituality would mix so harmoniously?
A box of new crayons! Now they’re all pointy, lined up in order, bright and perfect. Soon they’ll be a bunch of ground down, rounded, indistinguishable stumps, missing their wrappers and smudged with other colors. Sometimes life seems unbearably tragic.
Calvin: They say the world is a stage. But obviously the play is unrehearsed and everybody is ad-libbing his lines. Hobbes: Maybe that’s why it’s hard to tell if we’re living in a tragedy or a farce. Calvin: We need more special effects and dance numbers.
Miss Wormwood: Calvin, your test was an absolute disgrace! It's obvious you haven't read any of the material. Our first president was not Chef Boy-Ar-Dee and you ought to be ashamed to have turned in such preposterous answers! Calvin: I just don't test well.
For your information, I'm staying like this, and everyone else can just get used to it! If people don't like me the way I am, well TOUGH BEANS! It's a free country! I don't need anyone's permission to be the way I want! This is who I am - Take it or leave it!
S...For Stupendous! T...For Tiger, ferocity of! U...For Underwear, Red! P...For Power, Incredible! E...For excellent physique! N...For...Um...Something..Hm, well, I'll come back to that... D...For Determination! U...For...Wait, How do you spell this? Is it "I"??
All the new media will inevitably change the look, function, and maybe even the purpose of comics, but comics are vibrant and versatile, so I think they'll continue to find relevance one way or another. But they definitely won't be the same as what I grew up with.
We consume everything like potato chips. In this environment, I suspect the cartoonist's connection with readers is likely to be superficial and fleeting, unless he taps into some fervent special interest niche. And that audience, almost by definition, will be tiny.
Calvin: Dear Santa, before I submit life to your scrutiny, I demand to know who made YOU the matter of my fate?! Who are YOU to question my behavior, HUH??? What gives you the right?! Hobbes: Santa makes the toys, so he gets to decide who to give them to. Calvin: Oh.
Your fingernails are a joke, you've got no fangs, you can't see at night, your pink hides are ridiculous, your reflexes are nil, and you don't even have tails! Of course people aren't content! ... Now if tigers weren't content, that would be something to wonder about.
Each kind of story has its own problems in writing, but my main concern really is to keep the reader on his toes, or to keep the strip unpredictable. I try to achieve some sort of balance between the two that keeps the reader wondering what's going to happen next and be surprised.
Obviously the role of comics is changing very fast. On the one hand, comics are widely accepted and taken seriously. On the other hand, the mass media is disintegrating, and audiences are atomizing. I suspect comics will have less widespread cultural impact and make a lot less money.
Every artist learns through imitation, but I rather doubt the aim of these things is artistic development. I assume they're either homages or satiric riffs, and are not intended to be taken too seriously as works in their own right. Otherwise I should be talking to a copyright lawyer.
Some people are pragmatists, taking things as they come and making the best of the choices available. Some people are idealists, standing for principle and refusing to compromise. And some people just act on any whim that enters their heads. I pragmatically turn my whims into principles.
Mom’s not feeling well. So I’m making her a get well card.” “That’s thoughtful of you.” "See, on the front it says, ‘Get Well Soon’ … and on the inside it says,’Because my bed isn’t made, my clothes need to be put away and I’m hungry. Love Calvin.’ Want to sign it?” “Sure, I’m hungry too
Too often cartoonists just look at other cartoonists and, after a lot of inbreeding, everyone has the same funny look. The challenge of drawing is that there is no one right way to visually describe something. It's a good thing to confront your limitations and preconceptions every so often.
There are no restrictions of taste, approach, or subject matter. The gatekeepers are gone, so the prospect for new and different voices is exciting. Or at least it will be if anyone reads them. And it will be even more exciting if anyone pays for them. It's hard to charge admission without a gate.