Quotes of All Topics . Occasions . Authors
There's always an element of fear that you need to work a lot until people get sick and tired of you or finally figure out that you're a fraud after all!
I love history. I'm very interested by it and I think it's great to have a movie that brings it alive in a way. It's sort of that romanticized version of it.
There's a sense here in L.A. that everybody's aware of everybody all the time. It's funny but we choose it. People who are here want to be here, including me.
I have a lot of nervous energy. Work is my best way of channelling that into something productive unless I want to wind up assaulting the postman or gardener.
As a kid I had dreams about being successful, thinking it would be cool. Then, when I was in my 20s, I really thought I had it much more figured out than I do now.
I don't think know if anything's going to translate anywhere. You're making a movie, you hope it's going to be funny, you can't think about how it's going to go over.
My parents used to throw great New Year's Eve parties. They invited such an eclectic mix of showbiz people. All those cool people were always hanging out at our apartment.
Paul is Starsky, and I met him before shooting. He was very kind and encouraged us to go with what we wanted to do. It was very sweet to see them back with the car after 25 years.
It's what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I'm about.
I love New York. I was sad, depressed and incredibly moved by our fellow countrymen and what they've done. I wanted to give people a chance to see something funny, have a distraction.
I recently watched that Lucie Arnaz-produced documentary [Lucy and Desi: A Home Movie, 1992] about her parents [Lucille Ball and Desi Arnaz], and I saw so much of my own childhood there.
Sometimes I wondered whether I hadn't let my career get confined to one direction, but lately I've decided to accept the fact that I have this opportunity to be successful doing comedies.
When we were visiting New York City, I took my kids to the same playground where I went growing up. It was fun to feel that connection of having gone there as a kid and being there as a parent.
I just watched Paul Michael Glaser. He was the reason I wanted to do the movie because as a kid I was such a big fan of his. I watched all the episodes and tried to get a feeling for what he was doing.
I'm just not a naturally cheery person. I'm naturally moody. I know that from people who spend a lot of time with me. People who spend a lot of time with me may not wish to spend a lot more time with me.
When I didn't have a family, I was much more of a workaholic. I still like to work, but I also want to be home with them. As you get older, you realize you need balance. If it's not fun, what's the point?
When you have kids you want to be able to go to movies and take the family too, and actually all enjoy it together. I don't think there are that many great, live action family movies that everybody can enjoy.
People like to define you through what they've seen you do. There are aspects of my personality, I guess, that come through on-screen, but I don't sit around thinking, 'I've been a bumbling suitor all my life.'
I think you never want to have to go into the scene having to improvise; you want to make sure its working on the page. But I do like to have the ability to try stuff just in the moment, to give it some sort of spontaneity.
I don't think it's ever easy to be funny. I find it easy to amuse myself with a certain sort of cynical dark humor that tends toward the meaner side, like my character in Happy Gilmore. Those kinds of characters come easily to me.
The big-name stars . . . are always going to be playing what they've played before if they want to remain so-called A-list stars. That's why someone like Johnny Depp is doing more interesting roles not caring about the size of the movie.
I was a bad student. I liked archaeology actually, I was interested in maybe becoming an archaeologist but I was such a bad student and had such bad grades that I wasn't going to get into any really good college so I fell back on acting.
When I was growing up, This is Spinal Tap [1984] was the ultimate comedy, and it was the kind of thing I wanted to do. But you get to a point with parody where you can't go much further because ultimately it's feeding off of somebody else's creativity.
It's hard to maintain a sense of dignity in an audition. I have done so many auditions where I've put it out there and have been met with that kind of blank stare - "Great! Thanks! OK! Great work! Thanks for coming in!" At the door I'm thinking, 'What the hell am I doing with my life?'
I've been to Japan but I've never been to China, I'd love to go to China. I don't know, I like to go to places that are remote. So, I think I'd like to do that more. And just sort of also explore not having a structured work life someday, to have more free time to sort of see what happens.
It's important that we came here, just to touch base here in this great country... When I was about 16 I came with my dad for a couple of weeks and had a great time and I've wanted to come back, it's been way too long. So, I'm very happy to be here and I want to come back longer with the rest of my family.
First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'
Well, this movie I've been working on for a while. I had the idea for the movie like twenty years ago when I was doing 'Empire of the Sun' in 1987 because at that time that's when all these Vietnam movies were being made and my friends and I were going on auditions for these Vietnam movies and my friends were getting them and going away to fake boot camps.
I was staying on [writer/director/actor] Eric Schaeffer's couch in New York, and he said, "I've got this movie [If Lucy Fell]. Can you do five days on it?" And I was like, "Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I'll fill 120 hours of my life with something." So I did that and it was fun, and then I did Flirting with Disaster.
When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.
Oh, dear God, thank you, you are such a good God to us. A kind and gentle and accommodating God, and we thank You oh sweet, sweet Lord of hosts for the smörgåsbord You have so aptly laid at our table this day, and each day, by day, day by day, by day oh dear Lord three things we pray to love Thee more dearly, to see Thee more clearly, to follow Thee more nearly, day, by day, by day. Amen.
I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.
I'm Jewish, but my mom's Catholic, so the guilt area is covered. I have the highest expectations, along with the lowest. I tried to put as much of myself as possible in Reality Bites, but in terms of my humor, I'm still trying to figure out what my sensibility is. It's a process, really. I don't feel like I have a very clear idea of what I'm supposed to be, or even of how people perceive me, except that I got put into this Generation X file.