Quotes of All Topics . Occasions . Authors
There is no such thing as an artist: there is only the world lit or unlit as the light allows. When the candle is burning, who looks at the wick? When the candle is out, who needs it?
Fiction keeps its audience by retaining the world as its subject matter. People like the world. Many people actually prefer it to art and spend their days by choice in the thick of it.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
poetry has been able to function quite directly as human interpretation of the raw, loose universe. It is a mixture, if you will, of journalism and metaphysics, or of science and religion.
No, the point is not only does time fly and do we die, but that in these reckless conditions we live at all, and are vouchsafed, for the duration of certain inexplicable moments, to know it.
I noticed this process of waking, and predicted with terrifying logic that one of these years not far away I would be awake continuously and never slip back, and never be free of myself again.
I wake up thinking: What am I reading? What will I read next? I'm terrified that I'll run out, that I will read through all I want to, and be forced to learn wildflowers at last, to keep awake.
It makes more sense to write one big book - a novel or nonfiction narrative - than to write many stories or essays. Into a long, ambitious project you can fit or pour all you possess and learn.
There is a certain age at which a child looks at you in all earnestness and delivers a long, pleased speech in all the true inflections of spoken English, but with not one recognizable syllable.
It should surprise no one that the life of the writer - such as it is - is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world.
But enough is enough. One turns at last even from glory itself with a sigh of relief. From the depths of mystery, and even from the heights of splendor, we bounce back and hurry for the latitudes of home.
Love so sprang at her, she honestly thought no one had ever looked into it. Where was it in literature? Someone would have written something. She must not have recognized it. Time to read everything again.
An Inuit hunter asked the local missionary priest: If I did not know about God and sin, would I go to hell? No, said the priest, not if you did not know. Then why, asked the Inuit earnestly, did you tell me?
If even rock was interesting, if even this ugliness was worth whole shelves at the library, required sophisticated tools to study, and inspired grown men to crack mountains and saw crystals--then what wasn't?
Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.
How can people think that artists seek a name? A name, like a face, is something you have when you're not alone. There is no such thing as an artist: there is only the world, lit or unlit as the light allows.
I still try to keep my eyes open. I'm always on the lookout for antlion traps in sandy soil, monarch pupae near milkweed, skipper larvae in locust leaves. These things are utterly common, and I've not seen one
The painter... does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents.
Painters work from the ground up. The latest version of a painting overlays earlier versions, and obliterates them. Writers, on the other hand, work from left to right. The discardable chapters are on the left.
Could two live that way? Could two live under the wild rose, and explore by the pond, so that the smooth mind of each is as everywhere present to the other, and as received and as unchallenged, as falling snow?
About five years ago I saw a mockingbird make a straight vertical descent from the roof gutter of a four-story building. It was an act as careless and spontaneous as the curl of a stem or the kindling of a star.
Crystals grew inside rock like arithmetic flowers. They lengthened and spread, added plane to plane in an awed and perfect obedience to an absolute geometry that even stones - maybe only the stones - understood.
Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can't think about them. I live with trees.
I feel as though I stand at the foot of an infinitely high staircase, down which some exuberant spirit is flinging tennis ball after tennis ball, eternally, and the one thing I want in the world is a tennis ball.
Last forever!' Who hasn't prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying.
The sense impressions of one-celled animals are not edited for the brain. This is philosophically interesting in a rather mournful way, since it means that only the simplest animals perceive the universe as it is.
The world is wider in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain and Lazarus.
It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale.
You empty yourself and wait, listening. After a time you hear it: There is nothing there...You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: This hum is the silence.
It could be that our faithlessness is a cowering cowardice born of our very smallness, a massive failure of imagination... If we were to judge nature by common sense or likelihood, we wouldnt believe the world existed.
A shepherd on a hilltop who looks at a mess of stars and thinks, ‘There’s a hunter, a plow, a fish,’ is making mental connections that have as much real force in the universe as the very fires in those stars themselves.
You are wrong if you think that you can in any way take the vision and tame it... The vision is not so much destroyed, exactly, as it is, by the time you have finished, forgotten. It has been replaced by this changeling.
Divinity is not playful. The universe was not made in jest but in solemn incomprehensibl e earnest. By a power that is unfathomably secret, and holy, and fleet. There is nothing to be done about it, but ignore it, or see.
The universe is illusion merely, not one speck of it real, and we are not only its victims, falling always into or smashed by a planet slung by the sun-but also its captives, bound by the mineral-made ropes of our senses.
Whenever an encounter between a writer of good will and a regular person of good will happens to touch on the subject of writing, each person discovers, dismayed, that good will is of no earthly use. The conversation cannot proceed.
By dipping us children in the Bible so often, they hoped, I think, to give our lives a serious tint, and to provide us with quaintly magnificent snatches of prayer to produce as charms while, say, being mugged for our cash or jewels.
I have since only rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment when the mountains open and a new light roars in spate through the crack, and the mountains slam.
Unfortunately, nature is very much a now-you-see-it, now-you-don't affair. A fish flashes, then dissolves in the water before my eyes like so much salt. Deer apparently ascend bodily into heaven; the brightest oriole fades into leaves.
Even if things are as bad as they could possible be, and as meaningless, then matters of truth are themselves indifferent; we may as well please our sensibilities and, with as much spirit as we can muster, go out with a buck and a wing.
One of the few things I know about writing is this: Spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book, give it, give it all, give it now.
Cruelty is a mystery, and the waste of pain. But if we describe a word to compass these things, a world that is a long, brute game, then we bump against another mystery: the inrush of power and delight, the canary that sings on the skull.
It is ironic that the one thing that all religions recognize as separating us from our creator, our very self-consciousness, is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution.
The mind itself is an art object. It is a Mondrian canvas onto whose homemade grids it fits its own preselected products. Our knowledge is contextual and only contextual. Ordering and invention coincide: we call their collaboration knowledge.
I think that the dying pray at the last not please but thank you, as a guest thanks his host at the door. Falling from airplanes the people are crying thank you, thank you, all down the air; and the cold carriages draw up for them on the rocks.
Just once I wanted a task that required all the joy I had. Day after day I had noticed that if I waited long enough, my strong unexpressed joy would dwindle and dissipate inside me, like a fire subsiding . . . . Just this once I wanted to let it rip.
No child on earth was ever meant to be ordinary, and you can see it in them, and they know it, too, but then the times get to them, and the wear out their brains learning what folks expect, and spend their strength trying to rise over those same folks.
Your freedom as a writer is not freedom of expression in the sense of wild blurting; you may not let rip. It is life at its most free, if you are fortunate enough to be able to try it, because you select your materials, invent your task, and pace yourself.
Those of us who read carried around with us like martyrs a secret knowledge, a secret joy, and a secret hope: There is a life worth living where history is still taking place; there are ideas worth dying for, and circumstances where courage is still prized.
[Insects] are not only cold-blooded, and green- and yellow-blooded, but are also cased in a clacking horn. They have rigid eyes and brains strung down their backs. But they make up the bulk of our comrades-at-life, so I look to them for a glimmer of companionship.
When I walk with a camera, I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens, and the moment's light prints on my own silver gut. When I see this second way I am above all an unscrupulous observer.