Quotes of All Topics . Occasions . Authors
Now I am just an elderly lady who is full of spleen, who humps around greater Boston in a God-awful hat, who never lived and yet outlived her time, hating men and dogs and Democrats.
I would like to think that no one would die anymore if we all believed in daisies but the worms know better, don't they? They slide into the ear of a corpse and listen to his great sigh.
Today is made of yesterday, each time I steal toward rites I do not know, waiting for the lost ingredient, as if salt or money or even lust would keep us calm and prove us whole at last.
And within the house ashes are being stuffed into my marriage, fury is lapping the walls, dishes crack on the shelves, a strangler needs my throat, the daughter has ceased to eat anything.
The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost new grand pianos. He left a considerable estate when he died.
Watch out for love (unless it is true, and every part of you says yes including the toes), it will wrap you up like a mummy, and your scream won't be heard and none of your running will run.
Why are all these dolls falling out of the sky? Was there a father? Or have the planets cut holes in their nets and let our childhood out, or are we the dolls themselves, born but never fed?
Writers are such phonies: they sometimes have wise insights but they don't live by them at all. That's what writers are like...you think they know something, but usually they are just messes.
Talk to me about sadness. I talk about it too much in my own head but I never mind others talking about it either; I occasionally feel like I tremendously need others to talk about it as well.
Our checks are pale. Our wallets are invalids. Past due, past due, is what our bills are saying and yet we kiss in every corner, scuffing the dust and the cat. Love rises like bread as we go bust.
After a disaster strikes, it can be very devastating and very challenging. You're going to need a lot of strength and energy, and the American Red Cross suggests you go for the high protein items.
Even though I'm often crazy - and I am, and I know it - still I fight it because I know how sterile, how futile, how bleak... nothing grows from it, and you, meanwhile, only grow into it like a snail.
I was trying my damnedest to lead a conventional life, for that was how I was brought up, and it was what my husband wanted of me. But one can't build little white picket fences to keep nightmares out.
What's the point of fighting the dollars when all you need is a warm bed? When the dog barks you let him in. All we need is someone to let us in. And one other thing: to consider the lilies in the field.
All the oxygen of the world was in them. All the feet of the babies of the world were in them. All the crotches of the angels of the world were in them. All the morning kisses of Philadelphia were in them.
I said to my doctor at the beginning, 'I'm no good; I can't do anything. I'm dumb.' He suggested I try educating myself by listening to Boston's educational TV station. He said I had a perfectly good mind.
unless I can shake myself free of my dog, my flag, of my desk, my mind, I find life a bit of a drag. Not always, mind you. Usually I'm like my frying pan useful, graceful, sturdy and with no caper, no plan.
Cinderella and the prince lived, they say, happily ever after, like two dolls in a museum case never bothered by diapers or dust, never arguing over the timing of an egg, never telling the same story twice.
God went out of me as if the sea dried up like sandpaper, as if the sun became a latrine. God went out of my fingers. They became stone. My body became a side of mutton and despair roamed the slaughterhouse.
Pulling off the fat diamond engagement ring, pulling off the elopement wedding ring, and holding them, clicking them in thumb and forefinger, the indent of twenty-five years, like a tiny rip leaving its mark.
And thus Snow White became the prince's bride. The wicked queen was invited to the wedding feast and when she arrived there were red-hot iron shoes, in the manner of red-hot roller skates, clamped upon her feet.
Don’t worry if they say you’re crazy. They said that about me and yet I was saner than all of them. I knew. No matter. You know. Insane or sane, you know. It’s a good thing to know - no matter what they call it.
we do not explain my husband's insane abuse and we do not say why your wild-haired wife has fled or that my father opened like a walnut and then was dead. Your palms fold over me like knees. Love is the only use.
I sit at my desk each night with no place to go, opening the wrinkled maps of Milwaukee and Buffalo, the whole U.S., its cemeteries, its arbitrary time zones, through routes like small veins, capitals like small stones.
True. There is a beautiful Jesus. He is frozen to his bones like a chunk of beef. How desperately he wanted to pull his arms in! How desperately I touch his vertical and horizontal axes! But I can't. Need is not quite belief.
I’ll put it out there: I am scarred by the nostalgic indicipherability of my own desires; I an engulfed by the intimidating unknown, pushed through darkness and dragged down by the irretrievable past sweetness of my memories.
But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic.
I find now, swallowing one teaspoon of pain, that it drops downward to the past where it mixes with last year’s cupful and downward into a decade’s quart and downward into a lifetime’s ocean. I alternate treading water and deadman’s float.
When someone kisses someone or flushes the toilet it is my other who sits in a ball and cries. My other beats a tin drum in my heart. My other hangs up laundry as I try to sleep. My other cries and cries and cries when I put on a cocktail dress.
The boys and girls are one tonight. They unbutton blouses. They unzip flies. They take off shoes. They turn off the light. The glimmering creatures are full of lies. They are eating each other. They are overfed. At night, alone, I marry the bed.
These poets (fans of whatever) should be contacting other young poets on their way - not those who have made it, who sit on a star and then have plenty of problems: usually no money, usually the fear their own writing is going down the sink hole.
I brush my hair, waiting in the pain machine for my bones to get hard, for the soft, soft bones that were laid apart and were screwed together. They will knit. And the other corpse, the fractured heart, I feed it piecemeal, little chalice. I'm good to it.
Those moments before a poem comes, when the heightened awareness comes over you, and you realize a poem is buried there somewhere, you prepare yourself. I run around, you know, kind of skipping around the house, marvelous elation. It’s as though I could fly.
And tonight our skin, our bones, that have survived our fathers, will meet, delicate in the hold, fastened together in an intricate lock. Then one of us will shout, "My need is more desperate!" and I will eat you slowly with kisses even though the killer in you has gotten out.
All I wanted was a little piece of life, to be married, to have children.... I was trying my damnedest to lead a conventional life, for that was how I was brought up, and it was what my husband wanted of me. But one can't build little white picket fences to keep the nightmares out.
I lay there silently, hoarding my small dignity. I did not ask about the gate or the closet. I did not question the bedtime ritual where, on the cold bathroom tiles, I was spread out daily and examined for flaws. I did not know that my bones, those solids, those pieces of sculpture would not splinter.
In a letter (no matter how quickly it is written or honestly or freely or lovingly) it is more possible to be loving and lovable, more possible to reach out and to take in ... I feel I have somehow deceived you into thinking this is really a human relationship. It is a letter relationship between humans.
The future is a fog that is still hanging out over the sea, a boat that floats home or does not. The trade winds blow me, and I do not know where the land is; the waves fold over each other; they are in love with themselves; sleeping in their own skin; and I float over them and I do not know about tomorrow.
Love? Be it man. Be it woman. It must be a wave you want to glide in on, give your body to it, give your laugh to it, give, when the gravelly sand takes you, your tears to the land. To love another is something like prayer and can't be planned, you just fall into its arms because your belief undoes your disbelief.
I keep feeling that there isn't one poem being written by any one of us - or a book or anything like that. The whole life of us writers, the whole product I guess I mean, is the one long poem - a community effort if you will. It's all the same poem. It doesn't belong to any one writer - it's God's poem perhaps. Or God's people's poem.
The Witch's Life" When I was a child there was an old woman in our neighborhood whom we called The Witch. All day she peered from her second story window from behind the wrinkled curtains and sometimes she would open the window and yell: Get out of my life! She had hair like kelp and a voice like a boulder. I think of her sometimes now and wonder if I am becoming her.
She suffers according to the digits of my hate. I hear the filaments of alabaster. I would lie down with them and lift my madness off like a wig. I would lie outside in a room of wool and let the snow cover me. Paris white or flake white or argentine, all in the washbasin of my mouth, calling “Oh.” I am empty. I am witless. Death is here. There is no other settlement.
Do you like me?” No answer. Silence bounced, fell off his tongue and sat between us and clogged my throat. It slaughtered my trust. It tore cigarettes out of my mouth. We exchanged blind words, and I did not cry, I did not beg, but blackness filled my ears, blackness lunged in my heart, and something that had been good, a sort of kindly oxygen, turned into a gas oven.
There once was a miller with a daughter as lovely as a grape. He told the king that she could spin gold out of common straw. The king summoned the girl and locked her in a room full of straw and told her to spin it into gold or she would die like a criminal. Poor grape with no one to pick. Luscious and round and sleek. Poor thing. To die and never see Brooklyn. (Rumpelstiltskin)
The summer has seized you, as when, last month in Amalfi, I saw lemons as large as your desk-side globe-that miniature map of the world-and I could mention, too, the market stalls of mushrooms and garlic bugs all engorged. Or I even think of the orchard next door, where the berries are done and the apples are beginning to swell. And once, with our first backyard,I remember I planted an acre of yellow beans we couldn't eat.
If I could blame it on all the mothers and fathers of the world, they of the lessons, the pellets of power, they of the love surrounding you like batter ... Blame it on God perhaps? He of the first opening that pushed us all into our first mistakes? No, I'll blame it on Man For Man is God and man is eating the earth up like a candy bar and not one of them can be left alone with the ocean for it is known he will gulp it all down. The stars (possibly) are safe. At least for the moment. The stars are pears that no one can reach, even for a wedding. Perhaps for a death.