Quotes of All Topics . Occasions . Authors
I do know the sorrow of being ordinary, and that much of our life is spent doing the crazy mental arithmetic of how, at any given moment, we might improve, or at least disguise or present our defects and screw-ups in either more charming or more intimidating ways.
I was usually filled with a sense of something like shame until I'd remember that wonderful line of Blake's- that we are here to learn to endure the beams of love- and I would take a long deep breath and force these words out of my strangulated throat: "Thank you.
Slowly, after dozens of rejection slips and failures and false starts and postponed dreams - what Langston Hughes called dreams deferred - I stepped onto the hallowed ground of being a published novelist, and then 15 years later, I even started to make real money.
You are going to feel like hell if you never write the stuff that is tugging on the sleeves in your heart--your stories, visions, memories, songs: your truth, your version of things, in your voice. That is really all you have to offer us, and it's why you were born.
And yet, I do believe there is ultimately meaning in the chaos, and also in the doldrums. What I resist is not the truth but when people put a pretty bow on scary things instead of saying, 'This is a nightmare. I hate everything. I’m going to go hide in the garage.'
No one tells you that your life is effectively over when you have a child: that you're never going to draw another complacent breath again... or that whatever level of hypochondria and rage you'd learned to repress and live with is going to seem like the good old days.
You keep working on your piece over and over, trying to get the sections and paragraphs and sentences and the whole just right, but there's a point at which you can tell you've begun hurting the work with your perfectionism. Then you have to release the work to new eyes.
When we're dealing with the people in our family - no matter how annoying or gross they may be, no matter how self-inflicted their suffering may appear, no matter how afflicted they are with ignorance, prejudice or nose hairs - we give from the deepest parts of ourselves.
My idea of everything going smoothly on an airplane is (a) that I not die in a slow-motion fiery crash or get stabbed to death by terrorists and (b) that none of the other passengers try to talk to me. All conversation should end at the moment the wheels leave the ground.
Age has given me the gift of me; it just gave me what I was always longing for, which was to get to be the woman I've already dreamt of being. Which is somebody who can do rest and do hard work and be a really constant companion, a constant, tender-hearted wife to myself.
You fall so deeply in love with your grandbaby. It's so so so much easier than being a parent, because you really don't have much responsibility. And just when you are at the end of your rope with exhaustion, the parents take the baby away. So it's the best of both worlds.
I suspect that he was a child who thought differently than his peers, who may have had serious conversations with grown-ups, who as a young person, like me, accepted being alone quite a lot. I think that this sort of person often becomes either a writer or a career criminal.
We all have the dark, ignorant shadow inside us. I have worked endlessly to reveal it and heal it in me, but of course there's some primitive weird stuff in me. The Tea Party is about exhorting white supremacy, though, so I've had a tiny bit of trouble experiencing sympathy.
Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life Besides, perfectionism will ruin your writing, blocking inventiveness and playfulness and life force (these are words we are allowed to use in California).
If you are writing the clearest, truest words you can find and doing the best you can to understand and communicate, this will shine on paper like its own little lighthouse. Lighthouses dont go running all over an island looking for boats to save; they just stand there shining.
I don't see myself as a deep philosopher. The things I write about tend to be what we all have to face, or consider, or experience, that I talk about with my friends and brothers. It's universal stuff, told in my own voice, my own details and truth, which is all I have to offer.
Writing can be a pretty desperate endeavor, because it is about some of our deepest needs: our need to be visible, to be heard, our need to make sense of our lives, to wake up and grow and belong. It is no wonder if we sometimes tend to take ourselves perhaps a bit too seriously.
Shirley Jackson said that a confused reader is an antagonistic reader, and I live by that. It's okay to start anywhere, and to let yourself write a big sloppy overly-detailed first draft. You just jump in, knowing that the water will be cold at first, but no one is making you swim.
A priest friend of mine has cautioned me away from the standard God of our childhoods, who loves you and guides you and then, if you are bad, roasts you: God as a high school principal in a gray suit who never remembered your name but is always leafing unhappily through your files.
We can't understand when we're pregnant, or when our siblings are expecting, how profound it is to have a shared history with a younger generation: blood, genes, humor. It means we were actually here, on Earth, for a time - like the Egyptians with their pyramids, only with children.
Here are the two best prayers I know: 'Help me, help me, help me,' and 'Thank you, thank you, thank you.' A woman I know says, for her morning prayer, 'Whatever,' and then for the evening, 'Oh, well,' but has conceded that these prayers are more palatable for people without children.
All these people keep waxing sentimental about how fabulously well I am doing as a mother, how competent I am, but I feel inside like when you're first learning to put nail polish on your right hand with your left. You can do it, but it doesn't look all that great around the cuticles.
Do you mind even a little that you are still addicted to people-pleasing, and are still putting everyone else’s needs and laundry and career ahead of your creative, spiritual life? Giving all your life force away, to “help” and impress. Well, your help is not helpful, and falls short.
The Giants are usually described as rag tag, kind of a great garage sale team, and the Democrats are described as the Mommies to the Republican Daddies; and everyone hates the mommies, but wait, wait - I didn't intend to get into the pathos and thrill of being a Democratic Giants fan.
I am the woman I grew to be partly in spite of my mother, and partly because of the extraordinary love of her best friends, and my own best friends' mothers, and from surrogates, many of whom were not women at all but gay men. I have loved them my entire life, even after their passing.
All I know is that after 10 years of being sober, with huge support to express my pain and anger and shadow, the grief and tears didn’t wash me away. They gave me my life back! They cleansed me, baptized me, hydrated the earth at my feet. They brought me home, to me, to the truth of me.
Grief is just so scary.... If we finally begin to cry all those suppressed tears, they will surely wash us away like the Mississippi River. That's what our parents told us. We got sent to our rooms for having huge feelings. In my family, if you cried or got angry, you didn't get dinner.
This is the most profound spiritual truth I know: that even when we're most sure that love can't conquer all, it seems to anyway. It goes down into the rat hole with us, in the guise of our friends, and there it swells and comforts. It gives us second winds, third winds, hundredth winds.
I loved every second of Catholic church. I loved the sickly sweet rotting-pomegranate smells of the incense. I loved the overwrought altar, the birdbath of holy water, the votive candles; I loved that there was a poor box, the stations of the cross rendered in stained glass on the windows.
I took notes on the people around me, in my town, in my family, in my memory. I took notes on my own state of mind, my grandiosity, the low self-esteem. I wrote down the funny stuff I overheard. I learned to be like a ship's rat, veined ears trembling, and I learned to scribble it all down.
Any plot you impose on your characters will be onomatopoetic: PLOT. I say don't worry about plot. Worry about the characters. Let what they say or do reveal who they are, and be involved in their lives, and keep asking yourself, Now what happens? The development of relationship creates plot.
You are desperate to communicate, to edify or entertain, to preserve moments of grace or joy or transcendence, to make real or imagined events come alive. But you cannot will this to happen. It is a matter of persistence and faith and hard work. So you might as well just go ahead and get started.
The women's movement burst forth when I was fifteen. That was when I began to believe that life might semi-work out after all. The cavalry had arrived. Women were starting to say that you got to tell the truth now, that you had to tell the truth if you were going to heal and have an authentic life.
If you don't die of thirst, there are blessings in the desert. You can be pulled into limitlessness, which we all yearn for, or you can do the beauty of minutiae, the scrimshaw of tiny and precise. The sky is your ocean, and the crystal silence will uplift you like great gospel music, or Neil Young.
The worst time in any writer's life is the two months before publication. ALL writers become mental and pathetic, even those of devout faith, who have some psychological healing to lean up against, and gorgeous lives. All writers think that this time, the jig is up, and they will be exposed as frauds.
There is something so tender about this to me, about being willing to have your makeup wash off, your eyes tear up, your nose start to run. Its tender partly because it harkens back to infancy, to your mother washing your face with love and lots or water, tending to you, making you clean all over again.
I've heard people say that God is the gift of desperation, and there's a lot to be said for having really reached a bottom where you've run out of any more good ideas or plans for everybody else's behavior; or how to save and fix and rescue; or just get out of a huge mess, possibly of your own creation.
I’ve heard it said that every day you need half an hour of quiet time for yourself, or your Self, unless you’re incredibly busy and stressed, in which case you need an hour. I promise you, it is there. Fight tooth and nail to find time, to make it. It is our true wealth, this moment, this hour, this day.
I do not understand how deeply people seem to like my work - but I love that people feel I have helped them through hardships, and also have shared my experience of living a more spiritual and present life. It's so great to be able to make people laugh, because this is so often how we get our selves back.
I love readings and my readers, but the din of voices of the audience gives me stage fright, and the din of voices inside whisper that I am a fraud, and that the jig is up. Surely someone will rise up from the audience and say out loud that not only am I not funny and helpful, but I'm annoying, and a phony.
When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again.
I'm all over the place, up and down, scattered, withdrawing, trying to find some elusive sense of serenity." The world can't give that serenity. The world can't give us peace. We can only find it in our hearts." I hate that." I know. But the good news is that by the same token, the world can't take it away.
You don't want to spend your time around people who make you hold your breath. You can't fill up when you're holding your breath. And writing is about filling up, filling up when you are empty, letting images and ideas and smells run down like water - just as writing is also about dealing with the emptiness.
Being on a book tour is like being on the seesaw when you're a little kid. The excitement is in having someone to play with, and in rising up in the air, but then you're at the mercy of those holding you down, and if it's your older brother, or Paul Wolfowitz, they leap up, so that you crash down and get hurt.
So what are we supposed to do again, when we hate everything? You stop pretending life is such fun or makes sense. It's often messy and cruel and dull, and we do the best we can. It's unfair, and jerks seem to win. But you fall in love with a few people. Like I love you, Elizabeth. You're the angel God sent me.
Your problem is how you are going to spend this one odd and precious life you have been issued. Whether you're going to spend it trying to look good and creating the illusion that you have power over people and circumstances, or whether you are going to taste it, enjoy it and find out the truth about who you are.
Don’t underestimate this gift of finding a place in the writing world: if you really work at describing creatively on paper the truth as you understand it, as you have experienced it, with the people or material who are in you, who are asking that you help them get written, you will come to a secret feeling of honor.
It turned out this man worked for the Dalai Lama. And she said gently-that they believe when a lot of things start going wrong all at once, it is to protect something big and lovely that is trying to get itself born-and that this something needs for you to be distracted so that it can be born as perfectly as possible.
The problem is acceptance, which is something we're taught not to do. We're taught to improve uncomfortable situations, to change things, alleviate unpleasant feelings. But if you accept the reality that you have been given- that you are not in a productive creative period- you free yourself to begin filling up again.
The last song was so deep and raw and pure that I could not escape. It was as if the people were singing in between the notes, weeping and joyful at the same time, and I felt like their voices or something was rocking me in its bosom, holding me like a scared kid, and I opened up to that feeling-and it washed over me.