I'm never going back to the past. It is like when I am driving - I never like to do those routes that take you backwards and make you go the long way. I always like to do the shortcuts and go forward.

I'm sure most of us remember being a kid and you have all of this endless time where two weeks before Christmas feels like ten years. I used to go to bed to try and go to sleep to try and make it go faster.

With a lot of films, people are sitting on the outside looking in, but I want the audience to get a bit more intimately involved with what's going on, so that they maybe can experience it a little bit more intensely.

Interestingly, I never thought Id do an adaptation. Ive also been quite against them. I think trying to translate one medium to another is wrong. I never really felt that books fitted into film. Generally people are disappointed, arent they?

Interestingly, I never thought I'd do an adaptation. I've also been quite against them. I think trying to translate one medium to another is wrong. I never really felt that books fitted into film. Generally people are disappointed, aren't they?

When I was in New York I heard many people saying that the independent film industry was in big trouble. I was reflecting on this when I came home. Realizing that ever since I started filmmaking, people have being saying that. But somehow it keeps going. Filmmakers keep going. We need stories to make sense of the world and some people like me are driven to tell them. I have faith this will always be possible.

I wonder whether my bleak-o-meter is set differently from other people's. I have such passion for what I do that I can't see it as bleak. When people use that word, or “grim” or “gritty,” I just think, “Oh, come on, look a bit deeper.” My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.

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