The impetus to grow and live intensely is so powerful in me I cannot resist it. I will work, I will love my husband, but I will fulfill myself.

I have so strong a sense of creation, of tomorrow, that I cannot get drunk, knowing I will be less alive, less well, less creative the next day.

Physical experiences, lacking the joys of love, depend on twists and perversions of pleasure. Abnormal pleasures kill the taste for normal ones.

The child who is uprooted begins to recognize that what he builds within himself is what will endure, what will withstand shattering experiences.

I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have shared my kingdom with you.

I love man as creator, lover, husband, friend, but man the father I do not trust. I do not believe in man as father. I do not trust man as father.

Our life is composed greatly from dreams, from the unconscious, and they must be brought into connection with action. They must be woven together.

Writers do not live one life, they live two. There is the living and then there is the writing. There is the second tasting, the delayed reaction.

Tranquillity is contagious, peace is contagious. One only thinks of the contagiousness of illness, but there is the contagion of serenity and joy.

Expressing feelings is linked directly with creation... In this ability to tap the sources of feeling and imagination lies the secret of abundance.

The value of the personal relationship to all things is that it creates intimacy and intimacy creates understanding and understanding creates love.

They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy.

I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension

If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.

One handles truths like dynamite. Literature is one vast hypocrisy, a giant deception, treachery. All writers have concealed more than they revealed.

This great handsomeness I took into myself later when he desired me, but I took it as one breathes air, or swallows a snowflake, or yields to the sun.

I believe that men are generally still a little afraid of the dark though the witches are all hung, and Christianity and candles have been introduced.

She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself.

In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude.

Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them.

Reality doesn’t impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me. I escape, one way or another. No more walls.

I made no resolutions for the New Year. The habit of making plans, of criticizing, sanctioning and molding my life, is too much of a daily event for me.

The risk it takes to remain tight inside the bud is more painful than the risk it takes to blossom. We don't see things as they are, we see them as we are.

I like extravagance. Letters which give the postman a stiff back to carry, books which overflow from their covers, sexuality which bursts the thermometers.

We don't see things as they are, we see them as we are." Life shrinks or expands in proportion to one's courage "People living deeply have no fear of death.

There are only two kinds of freedom in the world; the freedom of the rich and powerful, and the freedom of the artist and the monk who renounces possessions.

At sixteen, Sabina took moon baths, first of all, because everyone else took sun baths, and second, she admitted, because she had been told it was dangerous.

Convalescence. Such an utter weakness that you lie like an animal hibernating, playing possum. You float. You are adrift. Every current is stronger than you.

Only when the poet and the scientist work in unison will we have living experiences and knowledge of the marvels of the universe as they are being discovered.

My first vision of earth was water veiled. I am of the race of men and women who see all things through this curtain of sea and my eyes are the color of water.

The human father has to be confronted and recognized as human, as man who created a child and then, by his absence, left the child fatherless and then Godless.

The real wonders of life lie in the depths. Exploring the depths for truths is the real wonder which the child and the artist know: magic and power lie in truth.

Our culture made a virtue of living only as extroverts. We discouraged the inner journey, the quest for a center. So we lost our center and have to find it again.

I cheat him, I deceive him, yet the world does not sink in sulphur-colored mists. Madness conquers. I can no longer put my mosaics together. I just cry and laugh.

although I love a rich life, I hate an overcrowded life. I believe in rumination and lose half the beauty of all things when I am deprived of the time to ruminate.

A trite word is an overused word which has lost its identity like an old coat in a second-hand shop. The familiar grows dull and we no longer see, hear, or taste it.

If one's conscious life is too rigid, too regimented, then the surface may crack at times, and we are unprepared for the strange emotions or sensations we experience.

I have an attitude now that is immovable. I shall remain outside of the world, beyond the temporal, beyond all the organizations of the world. I only believe in poetry.

I either eat too much or starve myself. Sleep for 14 hours or have insomniac nights. Fall in love very hard or hate passionately. I don't know what grey is. I never did.

All the art of analysis consists in saying a truth only when the other person is ready for it, has been prepared for it by an organic process of gradation and evolution.

Because history is only an aggregate of personal hostilities, personal prejudices, personal blindness and irrationality, there are times when we have to live against it.

I will not be just a tourist in the world of images, just watching images passing by which I cannot live in, make love to, possess as permanent sources of joy and ecstasy.

The inner chambers of the soul are like the photographer's darkroom. Like a laboratory. One cannot stay there all the time or it becomes the solitary cell of the neurotic.

Every individual is representative of the whole . . . and should be intimately understood, and this would give a far greater understanding of mass movements and sociology.

In New York the acoustics are good for laughter, for life is all external, all action, no thought, no meditation, no dreaming, no reflection, only the exuberance of action.

The leaf fall of his words, the stained glass hues of his moods, the rust in his voice, the smoke in his mouth, his breath on my vision like human breath blinding a mirror.

She walked in the shadow of Rango with a great feeling of being taken out of herself, of having no knowledge of what was happening to her, merely a pervading sense of flow.

For you and for me the highest moment, the keenest joy, is not when our minds dominate but when we lose our minds, and you and I both lose it in the same way, through love.

If what Proust says is true, that happiness is the absence of fever, then I will never know happiness. For I am possessed by a fever for knowledge, experience, and creation.

Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.

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