Quotes of All Topics . Occasions . Authors
And now each night, I count the stars. And each night I get the same number. And when the stars won't come to be counted, I count the holes they leave.
Jimmy Baldwin was not only a writer, an international literary figure: he was a man, spirit, voice - old and black and terrible as that first ancestor.
America is as much a black country as a white one. The lives and destinies of the white American are bound up inextricably with those of the black American.
If you are black, the only roads into the mainland of American life are through subservience, cowardice, and loss of manhood. These are the white man's roads.
Thought is more important than art. To revere art and have no understanding of the process that forces it into existence, is finally not even to understand what art is.
Thought is more important than art....To revere art and have no understanding of the process that forces it into existence, is finally not even to understand what art is.
Alas, we have not yet the power to render completely sterile or make impossible the errors and lies which will merely be America being itself rather than its unconvincing promise.
It seems natural to me that as a writer, you should have some kind of, you know, there should be some kind of projection that you actually have influenced people who are closest to you.
You have to get an individual who's willing to actually struggle with the system to change it. As long as you have people who - to make substantive changes, to make infrastructure changes.
The artist's role is to raise the consciousness of the people. To make them understand life, the world and themselves more completely. That's how I see it. Otherwise, I don't know why you do it.
The African, because of the violent differences between what was native and what he was forced to in slavery, developed some of the most complex and complicated ideas about the world imaginable.
The films of Warhol, when they are about anything are about sucking people off. This can be high art, to people who are interested in sucking people off. But that will not liberate Black people.
When I was saying, 'White people go to hell,' I never had trouble finding a publisher. But when I say, 'Black and white unite and fight, destroy capitalism,' then you suddenly become unreasonable.
When I die, the consciousness I carry I will to black people. May they pick me apart and take the useful parts, the sweet meat of my feelings. And leave the bitter bullshit rotten white parts alone.
There will be, and should be, reams and reams of analysis, even praise, for our friend but also even larger measures of non-analysis and, certainly, condemnation for James Baldwin, the Negro writer.
I'm trying to make the poems as musical as I can - from the inception. So that whether they're read on the page, or people read them aloud, or I read them aloud, the musicality will be kind of a given.
My family came to Newark in the '20s. We've been there a long, long time. My father's name was LeRoi, the French-ified aspect of it, because his first name was Coyette, you see. They come from South Carolina.
My bohemianism consisted of not wanting to get involved with the stupid stuff that I thought people wanted you to get involved with... namely America... Dwight Eisenhower, McCarthyism and all those great things.
If the flag of an armed enemy of the U.S. is allowed to fly over government buildings, then it implies that slavery, or at least the threat of slavery, is sanctioned by that government and can still legally exist.
I came to my Marxist view as a result of having struggled as a nationalist and found certain dead ends theoretically and ideologically, as far as nationalism was concerned, and had to reach out for a communist ideology.
Howard University shocked me into realizing how desperately sick the Negro could be, how he could be led into self-destruction, and how he would not realize that it was the society that had forced him into a great sickness.
I'm fully conscious all the time that I'm an American Negro, because it's part of my life. But I also know that if I want to say, 'I see a bus full of people,' I don't have to say, 'I am a Negro seeing a bus full of people.'
Atheist Jews double crossers stole our [black people’s] secrets. . . . They give us to worship a dead Jew and not ourselves . . . . Selling fried potatoes and people, the little arty bastards talking arithmetic they sucked from the arab’s head.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
Jimmy Baldwin was the creator of contemporary American speech even before Americans could dig that. He created it so we could speak to each other at unimaginable intensities of feeling, so we could make sense to each other at yet higher and higher tempos.
The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.
I guess I was the most unbohemian of all bohemians. My bohemianism consisted of not wanting to get involved with the stupid stuff that I thought people wanted you to get involved with - ... namely America... Dwight Eisenhower, McCarthyism and all those great things.
I had just been in some repressive situations - the black middle-class college scene and the crazy United States Air Force - and so I just felt like getting out of that. I thought, now, that I wanted to be a writer. I had something that I wanted to do, that I was interested in doing, so I wanted to pursue that.
My own thinking has evolved. You find Africanisms in American speech. You find an African influence on United States culture. There are all kinds of Africanisms in America, as you would expect, if you really thought about it... That whole thing is much broader; the influence is much broader than I first understood.
The man who buried Malcolm X - my Muslim imam, priest - he, after I got beat up by police... came to me, and he said, 'You don't need this American name.' And I was susceptible to it at the time because, God knows, I had just gotten whipped near to death. So he gave me an Arab name; he gave me the name Amir Barakat.
The major poets of New Jersey have all suffered, whether it's Whitman, who lost his job for 'Leaves of Grass,' or William Carlos Williams, who was called a communist, or Ginsberg, whose 'Howl' was prosecuted, or myself. If you practise poetry the way I think it needs to be done, you're going to put yourself in jeopardy.
'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.
You have to start with slavery because those abuses have never been eradicated. You know, people are not living in slums because they voted to. You know, their children are not in jail because they wanted them to. You know, these are the results of a people who have been oppressed and suffer national oppression, you know.
The word “art” is something the West has never understood. Art is supposed to be a part of a community. Like, scholars are supposed to be a part of a community... Art is to decorate people’s houses, their skin, their clothes, to make them expand their minds, and it’s supposed to be right in the community, where they can have it when they want it... It’s supposed to be as essential as a grocery store... that’s the only way art can function naturally.