Quotes of All Topics . Occasions . Authors
My mother has stories of leaving me in the bath as small kid, like a 3-year-old, and there being mirrors on the side, and her going to get a towel and coming back in, and me making faces at myself, like, 'Now I'm happy. Now I'm sad.'
I liked in television that you do some work, then you perform, then you stop and you have a break because they have to set up lights, and then you do some more work. I really liked the pace of it; it really agreed with me. I enjoyed it.
Coming out of Dallas and doing commercial work in Dallas - if you had improv background in Dallas, then you were instantly shot to the top of the list of commercial bookings because they loved improvisers because you could elevate the material.
Whenever I've done a sketch in which I'm asked to play a mom, my brain goes to Minnesota. It makes the character seem matronly, warm, the kind of person that takes care of you and brings you Campbell's soup when you're sick. It's a great shortcut.
I went to New York for the first time when I was in college for a school trip and, uh, it did not appeal to me. It was too much hustle and bustle. And I have since now found a New York where if I lived there now, I know where I would want to live.
When I first got out of school, I went on a children's theater tour, and I went around the country a little bit that fall, and it was the first time I went to Chicago. We spend a couple of days in Chicago, and I was really struck viscerally by the city.
I worked for three years in a small IT firm in Chicago. I managed our client base, so I translated into human speak for our technicians. But our company was sold, and the atmosphere and the culture really changed, so I quit without having anything else lined up.
Maybe to my own detriment, but I watched all of 'Fargo' probably more than once. And I tend to be a little critical of myself. But I can also let things go. So I can think, 'Well, that moment didn't read as well as I thought it would,' but it doesn't keep me up at night.
I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.
The best thing I ever learned when I first started acting is that you audition, and then you forget about it when you walk out the door. Even when you have a callback, you can't bank on things until you actually book that job, or your heart will just be broken over and over again.
It was important for me as a theater artist to allow myself and my interests to evolve over time and allow my notion of what success meant to evolve over time. I've always had a day job and never been just acting. But it didn't make me feel like I wasn't doing what I was supposed to be doing.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
I started getting Twitter followers after I started doing press for 'Fargo.' One of my best friends from college is a librarian, and she started tracking after each interview how many Twitter followers I got. She and her librarian friends were like, 'We're going to make a graph.' And I was like, 'Alright, nerds.'