Even as a child, I had walked down streets reading novels, waiting for my feet to get stuck in tar as I crossed the road, like the absent-minded animal in a Richard Scarry kid's book.

My husband was 50; I was in my late 30s. We had lived adulthoods that did not include infants, except as metaphors. And then, like so many in today's America, we had a baby in later life.

The daily deluge of tales of lechery and trauma holds a hidden but crucial truism: sexual harassment routinely feeds on income inequality. After all, it's much harder to exploit an equal.

There's no better example of how to lead a difficult employee than to have a child. You have another kind of knowledge from your children that's actually applicable outside of childbearing.

As consumers, we can pressure corporations both to monitor and improve workplace conditions overseas - when inspections reveal violations, these companies should address the gaps immediately.

Actors and writers and adjuncts are always looking for their next job: they find common cause with the female Uber drivers on contracts who have also been unprotected victims of sexual harassment.

There are things that neuroscience is useful for in terms of understanding behavior, but there are also things it is not all that useful for, like understanding the nuances of our reactions to poetry.

Sometimes I think that the public's lack of criticism of the rich - and how they seek their pleasure - might derive from the fact that Americans still believe they will one day be joining their number.

Like Hipster Racism, Hipster Sexism is a distancing gesture, a belief that, simply by applying quotations, uncool, questionable, and even offensive material about women can be alchemically transformed.

While more people are working later in life because of happy things like longer life expectancy, they are also doing so because of very sad things, like a lack of Social Security benefits or retirement plans.

While households that make anywhere from $48,000 to $250,000 can call themselves middle class, to group such a wide range of incomes under one label, as politicians love to do, is to confuse the term entirely.

There is a psychological and physical toll from the pressure to recreate ourselves in midlife. To survive as workers, we have to deny, on some level, the realities of our bodies - bodies that age and give birth.

Americans overall may live better than medieval aristocrats could dream of, but that means nothing when oligarchs live in the neighborhood next door, flaunting their luxurious homes and top-quality private schools.

There are schoolteachers around the country that work second jobs after their teaching duties are done: one woman in North Dakota I spoke to was heading off to clean houses after the final bell in order to pay her rent.

When I was a young child, professional aspiration was synonymous to me with the clatter of my mother's high-heeled boots as she went off to teach each 1970s weekday morning, carrying her graded blue books under her arm.

On the surface, public schools can seem egalitarian, especially with their websites' emphasis on words such as 'connection,' 'community,' and 'choice.' Yet despite this democratic vocabulary, money makes a big difference.

I think cool originates with the jazz culture in the '40s. There was probably cool before that, but that's when people started talking about cool - Miles Davis and Charlie Parker and a bunch of other early, cool jazz folk.

I think our families or parents were trying to do best by us by telling us, 'Do what you love.' On an existential level, they might have done their best by us, but I think, in terms of the reality principle, maybe less so.

Although federal law prohibits companies with 15 or more employees from discriminating against pregnant job seekers, it can be quite hard for an ordinary woman to land a job if she lets prospective bosses know she is pregnant.

Piercing minds go mute around poetry. It is imagined to be overly technical, like advanced arithmetic; otherworldly, priestess-like; suffocatingly personal; excessively decorative; exhaustingly bourgeois or tiringly avant-garde.

Motherhood gives you access to a range of different intellectual experiences and ways of seeing the world, which, in a way, makes you more flexible in the workplace. But our employers, our colleagues, don't necessarily understand.

The list of costly services that supplement some children's public education is growing longer and now includes consultants, tutors, and test prep. That's in addition to the homework help some stay-at-home parents can afford to provide.

Social networks matter greatly, and our class calibrations are often around what college one attended, leading to gruesome institutional divisions between those who attend, say, community colleges and those who attend top-tier universities.

Like other elements of childhood for the precociously gifted - private or home schooling, overstructured activity, and proto-professional training - edutainment products are part of a system that divides children into haves and have-lesses.

Having been built in the fashion I was as a child - created and then deflated - has left me with a distinct feeling of failure. Because I did not live up to my precocity, I experience it to be like a cross between a has-been and a never-was.

Going in and out of a proverbial 'poor door' - a separate entrance for income-restricted residents of mixed-income housing - of your city every day has its costs, even if the 'poor door' woman would be considered affluent in another location.

Hipster Sexism consists of the objectification of women but in a manner that uses mockery, quotation marks, and paradox: the stuff you learned about in literature class. As funny as Dunham's 'Girls' is, it can definitely border on Hipster Sexism.

Part of why daycare is so poorly paid is because the sense that they're prisoners of love, that daycare workers love their work so much that they don't need to be paid fairly. It's this sense of, 'Oh well, labor and love are two different things.'

When I got pregnant with my daughter, both my husband and I were freelancers, and we didn't have that much security. We had savings. We were better off than many people, but we didn't have, you know, pensions and all the things that people used to have.

'Mr. Robot,' in particular, signals the rise of a fresh post-Occupy portrayal of the wealth gap. No longer is the story of income inequity delivered via a well-meaning, crushingly earnest indie film by John Sayles or in a single laugh line on 'Roseanne.'

'Middle class' used to mean having two children and sending them to high-quality public schools, or even occasionally to private schools. It meant new brown Stride Rite Mary Janes with little purple and silver flowers when the old shoes were pinching the toes.

Instead of working to give robots personhood status, we should concentrate on protecting our human workers. If that means developing a more cooperative approach to ownership of autonomous trucks so millions of drivers are not left out in the literal cold, so be it.

In an economy where women now make up half the work force, we're going to have to address the treatment of pregnant employees more systemically. The passage of the Pregnant Workers Fairness Act would better protect against the discrimination pregnant job seekers face.

Civic poetry offers us a way to think and talk about issues that so much of public speech ignores, to make them new by dissecting and repurposing public speech, prying its falsehoods from its half-truths. It is fighting for its right to critique our would-be democracy.

There's a motherhood penalty because we've been long taught things that are stigmatized about motherhood. As workers, we don't want to talk about our kids at work. We're afraid to, or that when we leave at 5:30 to relieve the sitter we're somehow going to be diminished.

If we could support school curricula about social class, we might discuss the full complexity of 'wealth' within the parameters of our children's educational lives. Out of these lesson plans, we might talk more about what society values - and whether it rewards the right things.

Our social fabric is sundered. GoFundMe and the other crowdfunding sites that have proliferated since 2010 are an example of what has sprung up in its place, what I have called America's dystopian social net. That is, we now require private solutions to what are public problems.

Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.

There is a set of emotions around money and new technology and advertising and that sort of thing, and there is this kind of changing, transforming way we go through the world happening. The lyrical eye, the perspective of poetry, can get to something like this when other forms of writing can't.

There are caste systems in American cities: Many are marginalized to the edges of urban centers due to real estate costs; price tags seem to lurk around human encounters; there's a cult of overwork in the middle class; workers at your local manicurist, your local fast casual restaurant, are exploited.

Money and one of its embodiments, social class, are both riveting and mysterious to children. And if we don't challenge today's stigma around class status, it will warp a new generation's experience of an even more important class - the kind in which they learn. And that's one thing we simply can't afford.

Economically anxious, many parents see their children's accomplishments as a sort of insurance against the financial challenges of old age; high-achieving kids, this logic goes, will become high-earning adults and therefore be better able to help Mom and Dad pay for the assisted-living facility in a few decades.

Uber is hardly the first company to exploit the financial vulnerability of teachers - and the desperation of public schools more broadly - to score PR points. Amazon, Boeing, Bank of America, and other corporations have played the part of school benefactor, offering everything from reward programs to school supplies.

When I was doing my research for 'Branded,' I'd meet groups of teenagers and preteenagers or tweens, and they would laugh at a magazine spread in a women's magazine or teen girl magazine and say, 'I'd never buy this outfit. I know these girls are starving themselves.' But they probably would go out and buy the thing eventually.

As the world of independent feature filmmaking became increasingly commercialized by the mid-1990s, there was also a parallel, much more positive development: a resurgence in documentary filmmaking, thanks in part to the advent of the cheaper, lighter digital format that helped to offset the daunting costs of pursuing political aims through film.

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