Quotes of All Topics . Occasions . Authors
Much of hip-hop, like comic books, is fantastical by nature, too.
Hip-hop was the culture that I grew up with; I am part of this culture.
You should be able to be influenced by art no matter where it comes from.
Here in America, our use of time is not harmonious with humanity's better spirit.
I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.
If you allow yourself to be closed, especially to a younger generation, then that's death. That's instant death.
There's the shared imagery between hip-hop and comics, with some producers and emcees taking on super hero personas.
Corporations always are controlling things, and we have the ability every day to do something about that. Every day.
Our records are commodities. We're looking to make a sale. The radio stations are looking to get the advertising dollars. The end.
I'm a believer in the nap. I don't care what it is. 15 minutes. Five hours. If you know someone's going to come back and come to work.
As an artist, sometimes you'd rather not do the interview. You might feel the interviewer isn't educated on you... or what you're about.
When you are creating something artistically and are speaking to or representing a culture that you know truthfully, you are doing a good job.
When it comes to music, something I'm passionate about, and knowing the reach and the power and how it transforms, it saves lives. Music does.
The basic idea of a hero rising up to represent an oppressed or disenfranchised group of people is as true to hip-hop as it is comic book lore.
Because I express myself through the music, I want to be responsible in that expression and how it carries on well after I'm here. But that's just me.
Hip-hop has had this history where the predecessor just is so harsh and not nice to the next coming generation that it creates this separation and this gap.
But I could not imagine having a child and the child not having a relationship with music that opens up their mind and their imagination and teaches them things.
I think that any story that intends on being culturally authentic and true to life experiences will be a great story. Even if that culture isn't a hip-hop-centric one.
That's the beautiful thing about being an artist, is you can take risks and take chances and hopefully be secure enough to just keep going with it if you fall flat on your face.
There have been a lot of hip-hop artists who have made a difference to people's lives, spreading the message of the struggle and representing for those who have overcome adversity.
Some people become artists for whatever reasons. Some of it's frivolous. And I don't think there should be any shame on that, but I think there comes a point in life where you want to offer more.
I believe in a 'give us this day our daily bread' sort of thing. And what I draw from that is, I try not to stock my refrigerator for groceries for the week, cause I might not live to see the full week.
I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It's a very warm instrument. The tone of the cello and the movement - I don't know what is; I love it so much.
I'm a very good listener. I think that's one of the things that makes me a good producer. But it's a challenge for me because my custom is to listen and absorb what someone is saying and take it in, and not necessarily comment.
Music is an important thing of energy. And there are a lot of wonderful aspects that come with it and vibrations, the physical vibrations, the movement of notes through an instrument and creating a wave that resonates into our spirit.
Raphael Saadiq said to me, quite often, that Chuck D was his history teacher. And so he got a lot from the music, things that he wasn't getting maybe in school. And I feel the same way with regards to Earth, Wind & Fire, Stevie Wonder.
In 2016, the conversation of the black experience is so broad, and it's very raw. I mean, c'mon, we have a black president. That's a major thing, and there are so many other significant occurrences that have come from the '60s and '70s up to now.
I am the ambassador to the world. I use music to talk to the world - to try to unite masses. To try to spark conversations. To try and evoke legislation to change that'll really be for the people. That's behind-the-scenes kind of thing for me. And that's what the music is for me.
I really care about what I put out, and probably more than the fans care. At times, I think I over-care. But I just know that the body of work has such a high standard that it's kind of like, in my own head, I need to at least match it if not get over that, so that's the challenge.
I grew up around electronic instruments. To me, the turntable is an electronic device. At the same time, I had access to drum machines and keyboards through my uncle; then track recorders into computers. At an early age, I was messing with computers more than most hip-hop musicians.
I think at some point there may be artists who will get fed up, and they deliberately want to use their art as a means to rock the waves a little bit. And instead of doing the status quo, they'll deliberately go out to really make a change. I think Kendrick Lamar is an example of that.
Take emceeing, one of the foundations of hip-hop culture. A guy grabs a mic, steps up on stage and becomes a spokesman; the voice of the people. If anything, that might be the strongest similarity between hip-hop and comic books, with super heroes, like many rappers, fighting to make a change.
The DJ still has the relationship with the people, I believe. I don't know to call the DJ 'the ambassadors' or what, but we still are connecting the dots, getting the good stuff and passing it on to the people. DJs still have relevance, even with the technology that elevates the DJ beyond being a selector.
Nothing new is on the earth right now. Technology, the things that we're discovering, it's been sitting here just waiting for someone to brush it off and go, 'Oh, let me read that. Let me see how I can use this information.' And it doesn't matter if it's from a tech perspective or a philosophical perspective.
Discipline is not consistency, and the reason why I say that is - like, for an example, making prayer five times a day, that establishes routine and consistency. That I can do. And having certain fundamental consistencies in business, can do. But time management, outside of that, that's where that's a challenge.
I've never been good at getting on people's nerves, and from the little quotes I read, it's like, 'You're not doing enough in your life if you're not making someone angry.' And I'm like, 'Man. But my life - I seem to help people get somewhere, so am I not? Should I be more aggressive?' That's the way my inside voice sounds.
My mom used to be concerned 'cause I would never go outside. And when I'd go outside, I'd have friends, but I just was always in the house listening to music, practicing DJing all the time. Then my uncle got a keyboard, drum machine, so I'd just be in the house at 12, 13, just, like, messing up his presets. And my mom was like, 'My son is strange.'
That's always been the process of our music, in a sense, keeping it simple, not being so heavy that you are beating people over the head, it's just weighted down and it's like, "oohhh I can't relate." People are able to relate because we talked about things that everyone has experienced, it doesn't matter your race or genre. Music was your mainstay. There was something in our element of music that connected.
For the future, be true to yourself. If you're gonna be influenced by someone be influenced by them. Don't cop them so much that you're a clone. No one wants to deal with a clone. There's not that much more substance in being a clone, but definitely be influenced by people...take what you can from that and sculpt it into your own situation. In doing so, you'll be happy and I think your people will be happy listening to what you do.