I grew up in southern Africa but was born in England, so my family was afflicted with the stiff upper lip of the British. When coupled with the violence we saw as children, that can be a fatal combination. Fortunately, I have an outlet for trauma in my writing.

Mostly, I would like people to ask other writers about the craft of their writing so we could learn from one another. We ask movie directors why they chose to use certain lights and angles and speeds of film, but most of the time, we ignore the craft of a writer.

There is a myth that writers get to choose their stories. You don't get to choose your story any more than you get to choose your children. You can make the decision to write, but beyond that, at the end of the day, it's going to come out how it's going to come out.

I don't know if it's just my age or the climate or the high altitude or some of those old-cowboy values rubbing off on me, but I've grown slightly mellower living in Wyoming. I think if you ride into the West on a high horse, you pretty soon end up in a pile of manure.

FBI Girl is a gorgeous, sumptuous book. Conlon-McIvor takes a subject (herself and her family) that might have sunk in other hands, beats egg white under her words and the whole thing rises like a dream. It's a love story for her people and for a time and place. Read it.

I have heard over and over again that the drilling business is a dangerous business, and death is an expected part of the game, but I've also heard of the way that safety violations, human and environmental laws, and a concern for the local culture are flaunted in pursuit of money.

I think that being raised the way I was, where everything was so uncompromising, where, you know, we're prepared to fight to the death for the soil that you believed belonged to you - that kind of extreme engagement is very difficult to flush out of your system - or your belief system, anyway.

Until I read Anne Frank's diary, I had found books a literal escape from what could be the harsh reality around me. After I read the diary, I had a fresh way of viewing the both literature and the world. From then on, I found I was impatient with books that were not honest or that were trivial and frivolous.

In retrospect, I have come to recognise just how astounding my mother was during our childhood. She kept a woodwork shop and made beautiful furniture, as well as raising the pair of us in a society dominated by men. There really is nothing like war to reveal the power of patriarchy, but she always retained her independence.

In southern and central Africa, tragedy roared at us, and we roared back. We shared dramas publicly, bled them on the corridors of hospitals, laid our corpses on the beds of neighbors, held our sorrows up in full light. We were volume ten about our madness and disorder, even if we were also resilient and enduring and tough.

One of the things about being raised British in Africa is that you get this double whammy of toughness. The continent in place itself made you quite tough. And then you've got this British mother whose entire being rejects 'coddling' in case it makes you too soft. So there's absolutely nothing standing between you and a fairly rough experience.

People who disagree with His Excellency, the President for Life and 'Chief of Chiefs,' are frequently found to be the victims of car crashes (their bodies mysteriously riddled with bullets); or dead in their beds of heart attacks (their bodies mysteriously riddled with bullets); or the recipients of some not-quite-fresh seafood (their bodies mysteriously riddled with bullets).

Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both.

The land itself, of course, was careless of its name. It still is. You can call it what you like, fight all the wars you want in its name. Change its name altogether if you like. The land is still unblinking under the African sky. It will absorb white man's blood and the blood of African men, it will absorb blood from slaughtered cattle and the blood from a woman's birthing with equal thirst. It doesn't care.

I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotion to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible--from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin--to know the difference between right, wrong, good, and evil? I don't know if it's even useful to try.

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