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For many years, I did pantomime with Marcel Marceau. I was a writer for him and got to know very well how to use the body for illustration. I wanted to do a mother without arms, but using the arms of her son in Santa Sangre. The tragedy should always have something funny. Something weird.
Surrealism was necessary - essential, even - in the 1920s to bridge the gap between rationalism and the subconscious. It started something important. But by the early '60s, it had become petit-bourgeois; it was too intellectual and romantic, and had ground to a halt. It had become respectable.
Every person has a talent, but not the same one. Every person has to discover his personal talent and go with his talent. And then you are you, and what you do, you do because you love what you do, not because you want to be famous or because you're making money. You do the work because you love it.
I believe in mysticism, with an interior goal, and you are your own temple and your own priest. I dont believe anymore in religions, because you see today there are religious wars, prejudice, false morals, and the woman is despised. Religion is too old now; its from another century, its not for today.
I believe in mysticism, with an interior goal, and you are your own temple and your own priest. I don't believe anymore in religions, because you see today there are religious wars, prejudice, false morals, and the woman is despised. Religion is too old now; it's from another century, it's not for today.
I don't see myself as a movie maker only. When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live. I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
This is the thing: Art is more important than making a show, something that amuses people. Art is something that needs to give to the public, to the actors, to the artist - to give something that makes life the paradise it can be. Life can be a paradise. Still, I believe that. Even if there is Trump, there can be a paradise.
Terrorists are not bad; they are limited by circumstances. They are human beings. I am very, very, very sad when they explode themselves and kill 40 to 60 persons. It's terrible. But also, I am sad for them, a young person who lost his whole life. It's terrible. They are limited by religion, by politics, by economical interests.
What is an artistic picture? An artistic picture is very simple. The creator is not the producer. The creator is not the star. The creator is the director, the person who realizes the picture, like a poet, like an artist. The creator of the picture is free to do whatever he wants, how he wants to do it. That is an artistic picture.
If the picture is not an artistic picture, it's show, like television. Television series are very funny, but it's a collective production. An industrial art. A car is not made by a person, it's made by a group of creators, only to go to the market to buy your cigarettes. That is a car - they are not a big art, they are a little art.
When I was a young person I went to the university and I learned a rational language, to think with the left side of the brain. But in the right side of the brain you have intuition and imagination. Words are not the truth; they indicate the way to go, but you need to go alone, in silence. Symbols have a language that kills the words.
Movies have an enormous power to open the mind and the heart and everything. You are sitting and seeing something moving in front of you, and then your mind goes into a trance. You are completely there. It's a real great art; it's not only a business. It's to open the mind, to understand this mystery within reality. This is why we need it.
I have an ambition to live 300 years. I will not live 300 years. Maybe I will live one year more. But I have the ambition. Why you will not have ambition? Why? Have the greatest ambition possible. You want to be immortal? Fight to be immortal. Do it. You want to make the most fantastic art or movie? Try. If you fail, is not important. We need to try.
The imagination wants to construct the new worlds, no? Creativity is a solution. If I ask you, "What is your goal in life? How many years do you have to live before to die? How many years do you have? And what you will do with these years you have?" You have pressure there. "How you will realize a good life? How? Tell me!" Then, you start to open your mind.
I think Twitter is the literature of the 21st century. I think it's an incredible art because when you make a book, you don't know who reads it. But every line, I write a million people, they read it, and then they insult me, they love me, they discuss, they give an opinion instantly, immediately. They are completely in communication, immediately. That is a real art.
What I am trying to do when I use symbols is to awaken in your unconscious some reaction. I am very conscious of what I am using because symbols can be very dangerous. When we use normal language we can defend ourselves because our society is a linguistic society, a semantic society. But when you start to speak, not with words, but only with images, the people cannot defend themselves.
And I imagine... with great pleasure... all the horrible stirrings of the nonmanifested to bring forth the scream which creates the universe. Maybe one day I'll see you trembling, and you'll go into convulsion and grow larger and smaller until your mouth opens and the world will come from your mouth, escaping through the window like a river, and it will flood the city. And then we'll begin to live.
Awakening is not a thing. It is not a goal, not a concept. It is not something to be attained. It is a metamorphosis. If the caterpillar thinks about the butterfly it is to become, saying ‘And then I shall have wings and antennae,’ there will never be a butterfly. The caterpillar must accept its own disappearance in its transformation. When the marvelous butterfly takes wing, nothing of the caterpillar remains.
I am an artist. For me, a picture is like poetry. When you make art, this is not coming from an intellectual place. It's coming from the deep side of your unconscious, your soul. And you are like in some kind of possession, where you are doing anything to get the visual. You become another person. You're becoming an artist in action. And then a lot of miracles come. A lot of discovering. It's a very complicated thing.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
The apocalypse is now! Americans know this, that the only hope is the flying saucers. Do you know how I see the world? Like a person who is dying. It's a worm who is dying to make a butterfly. We must not stop the worm from dying, we must help the worm to die to help the butterfly to be born. We need to dance with death. This world is dying, but very well. We will make a big, big enormous butterfly. You and I will be the first movements in the wings of the butterfly because we are speaking like this.