Working out grounds you in your body and in the moment so if I'm ever feeling fuzzy headed a workout always helps check in with the moment.

I think I've become more professional or more marketable. That happened naturally, and I think 'RuPaul's Drag Race' had a lot to do with that.

I've certainly had to find a balance for myself and I have to now schedule months where I say, 'OK, I'm not going to travel during this month.'

I think that we've made a lot of progress in the years since the Stonewall uprising, and as far as equality for marriage and things like that go.

Personally, I like drag that's a little rough around the edges, drag you can run around in it, drag you can get in the Uber without worrying about!

It's always been that I feel more masculine in drag than I do out of it. I only get called 'ma'am' out of drag and I only get called 'sir' in drag.

I think that my attitude about myself is something that I've been trying to work on - trying to be more positive and just believing in myself more.

We believe the Queer community is a model for our global extended family, and together we have the power to create positive change for all of humanity.

I'm unabashedly obsessed with 'The Golden Girls,' and I have been for many years. And I consider myself to be a priest in the church of 'The Golden Girls.'

Since I was a kid, I've always been skinny and frail framed. I felt powerless as a child, but I always saw so much power in femininity and female sexuality.

Really, drag is like, 'Oh, I'm putting on women's clothing,' but it's just clothing. The people who assign it as being for women is the culture and society.

I love drag so much and it's a huge part of who I am but there's also another side that hasn't really gotten out into the music and I'm excited to show that.

I come from the theater, so I like it being: curtain up, this is what we want you to see, we have a reason for showing it to you, and then the curtain comes down, and that's it.

I always used to dress up in little girls' clothes when I was really young. Then I realized that boys weren't supposed to do that, and I got really shy. I didn't do it for many years.

My biggest fashion tip for quarantine is, honey, just because we're homebound doesn't mean you can't put on a gown or a nice jacket, do your hair or put on a winged liner, just go for it.

Drag Race' is giving visibility to our community. It's on TV and you can see RuPaul, who is a black, queer, powerful figure who has run this empire for years, and I think that's an amazing thing.

I'm a giant person. I can't go and buy women's shoes in a shoe store. I don't even go in the shoe section because it just breaks my heart because the shoes are so beautiful, but they don't fit me.

I was really grateful that The Vixen, especially, was on season 10 because she was having conversations about race. You can't ignore it, especially in the drag community, in the 'Drag Race' world.

At the end of the day and at the beginning of the day, I am a man who dresses up like a lady who is from outer space. Not everyone is going to get that. Not everyone is going to be on board with that.

I get to work a lot of times in nightclubs and large theaters, so I wanted to make music that is fun to perform in those settings. But I also wanted to contrast it with really serious, sincere ballads.

I was really scared that I would never be able to date anyone... because there was a huge stigma against drag. But the drive was so strong to do it that I was like, 'I don't care. If that happens, I'm fine.'

I think I first learned about Stonewall in Queer Theatre class at the University of Pittsburgh. It made me mad that queer people out at bars could be raided and arrested and harassed by the police just for being who they were.

So pride is a time for us to say we're here, we're visible, we're strong, we're able to organise and we're able to activate and work together as a community to make change. That's what pride's about for me. And it's really fun too!

Honey, unlike the song 'Same Parts' by Tatianna, what you see with Alyssa Edwards is always the truth. She is literally a walking catchphrase factory. She is like an oil out of the ground. She is reality tv, and I absolutely love her.

In my early career I was sort of anti-drag. I said, 'Drag is dumb and boring, and I want to be an effing weirdo and go crazy and rebel.' But now it's like I've come to respect and understand how deep and traditional drag as an art form is.

If we took the passion and the conviction that the activist trans community has and we combined it with this over-the-top marketable charisma of drag, I feel like if we worked together, we could really effect major social change and world change.

I'm not a huge dancer onstage. In fact, I like not moving at all if I don't have to. But even just standing up for any given amount of time in 6-inch heels ends up leaving me feeling like I've been cracked in half like a rag doll after a few shows.

I think drag helps move us in the direction of loosening up the man/woman binary. The idea that you're one, or the other, it's false. The more that as a society we become a little looser, more open to laugh about gender, that's the direction the world needs to go in.

I've never been on that side - being reviled by hundreds of thousands of people online. I guess that experience was really terrible, but it's just added another stitch to the tapestry of my character, so I've seen life from both sides now. I've been beloved and reviled.

Pittsburgh is an underdog city because it's been in a recession for a really long time, since the steel industry collapsed, so it has this underdog mentality. Yeah, there are a lot of people who are conservative, but I also think they want to rally around their Pittsburgh people.

Realness is something in such short supply; you can't believe anything anyone is saying when you turn on the television, and then during the commercials, they are lying to you there also. You can't believe anything, but when you go see a drag show, something real is happening on stage.

I was like, 18 and it was in West Virginia because I was allowed to get into the clubs in West Virginia, not Pennsylvania where I was growing up. And we went in and there was a drag queen on stage and she was huge and beautiful, but she was lip syncing to a song. I was legitimately stunned.

Pittsburgh's definitely the city where I learned how to be on a stage, hold a microphone, and interact with an audience. It's where I got my chops as an entertainer and as a performer, so I'm grateful to the queer community there because they are active and vocal and they care about each other.

I'll be in, like, Starbucks or something and I'll say my order and someone will snap their head around and go, 'Whaat, Alaska?! Hieeee!' I find it nice because I can be alone in a strange city where I don't know where I am, and then if a fan runs into me I feel like I am among friends and family.

I want make sure I'm showing up for the people I'm really close to and my family, and so finding a balance is really important. But I don't want to quit drag at all. I want to be 90 years old and I want them to prop me up in the doorway and have hot dudes dance around me like Mae West. I really do!

After taking a retreat into the woods of the Russian River Valley to write, reflect, and commune with nature and one another, 'Amethyst Journey' was born. The album is a collection of songs that are a combination of our outlook and inspirations - a response to current issues and the state of our planet.

My mom knew that I was gay. So she just came up to me in the kitchen one night, and she said, 'Justin, are you a homosexual?' And I said, 'Yes,' and that was that. She took all the steps, she went to talk to a family counselor beforehand to see how she should bring it up, and now my mom's my biggest fan.

I think it's good for 'Drag Race' to be moving toward the mainstream. I'm grateful for the move to VH1. I'm glad that one million people watched the first episode of Season 9. Our message is one of love and acceptance and truth and strength and perseverance, and I believe it should reach everyone, near and far.

I wanted a song my 6-year-old niece could listen to in the car. 'Everyday is Christmas' sounds like a sweet sentiment, but in reality if every day were actually Christmas it would be a candy cane-riddled hellscape from which the human race could never awaken. So we're lucky it is just a lighthearted Christmas tune.

Share This Page