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For some reason I've been labeled that and it's fine, but there are a lot of other artists that sing real traditional stuff, so I don't know why they picked me. That's what I've always done.
I really was a fan of his and always have been - his writing especially, you know? I think people a lot of times overlook that part, because he kind of got into that party character so heavy.
I could have done a hundred songs, really. It was hard to narrow them down, because I tried to pick songs for the most part that actually did have some effect on me or influenced me in the past.
I like to write sad songs. They're much easier to write and you get a lot more emotion into them. But people don't want to hear them as much. And radio definitely doesn't; they want that positive, uptempo thing.
You have to be tough-skinned and willing to accept criticism, and at the same time, just try to do music that you like and you are proud of and not just whatever you think it's going to take to get you on the radio.
I've been a lot of places, and my wife, Denise, she likes a lot of the fancy restaurants. I'm more of a basic eater. I still go into Cracker Barrel. Those are the kind of people who like the kind of music I'm making.
Growing up in Georgia, I used to think people up north or out west were so different. They're really not. They're just regular people who live in small towns. They grow up and try to raise families and have a job and go to church and play softball. It's that way everywhere.
What I enjoy doing more than anything is, I have my little antique car collection, and when the weather is pretty I like to get out one of my old cars. I have a little route I run down in the country, down Nachez Trace Parkway. The loop down through there is just really relaxing, not much traffic.
If anything good came out of 9/11, to me, was that people were so cynical about the world - all you hear about on the news is all the bad stuff everyday, but what was refreshing to me was after that, you saw how many good people there are out there. For every one bad one, there's a thousand good ones.
You think about people like Hank Williams, who stood on that spot of wood, and Mr. Acuff, and, of course, George Jones. And just about anybody you can think of who has made country music has been on that stage. That's what makes you so nervous - to think about the historical part of the Opry and how it's played such a part in country music.
"After 17" is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, "Oh yeah, he wrote that about his daughter," but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.
'After 17' is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, 'Oh yeah, he wrote that about his daughter,' but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.