Quotes of All Topics . Occasions . Authors
I feel I will always have that spirit bear with me, so I will always feel protected.
I learned the mechanics of how to fly a plane, but I never lifted a plane off the ground.
You can't propel a nation to move forward if all you are doing is taking something from them.
I do a lot of inspirational talks for kids, to motivate them to change their lives and give them hope.
When I initially started acting, all I wanted to do was to be in one movie. That's it. That was my goal.
Movies have been my way to get out of my backyard. I'm trying to let people know that movies change people's lives.
When I was growing up, my white friends would call me: 'Hey, Chief!' Even when I go to work now, people call me 'Chief.'
It's much easier to come back as a recurring character. Because you already know his traits and who he is and what he's about.
I think with 'Skinwalkers,' the success of it spoke for itself. Meaning a lot of people wanted to see something new on television.
As a kid, I was just led out in the morning to go spend my day with my friends and just run in the woods. And I'd only come home to eat or when I was thirsty.
I remember, as a kid, I'd follow the rooster and the chickens and watch what type of grass they'd eat. And me and my friends would eat that grass, like that was our lunch.
What's nice about 'Skinwalkers' is it's allowing an audience to see a different Indian perspective... I think, for myself, I'm trying to put the Indian perspective in a different dimension.
I go to South Dakota for ceremonies when I have the time. And when you learn what the Indian peoples have gone through to hold onto their culture and traditions... wow, it's an amazing story.
I carry two traditional pipes and I sing my songs and pray that us as human beings treat each other with respect. So when it came to trying to portray a connection on screen, that's what you see.
I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
I always believed in if you give your best, people will see it, and it moves to the next level. I got my first movie, and I gave it my best. Before I was done with that movie, I was offered my first feature film.
I've learned that for Indian people, the opportunity for us to succeed is very slim. So acting was a great tool for that. And in the process of learning about my culture, I've learned how to connect myself again to my ancestors.
I have a cousin who is a spiritual advisor for Native veterans in Canada, so I'm very familiar with the history of Natives in the military. And growing up as an American Indian myself, the story of Ira Hayes is one that is often told.
We [Native Americans] respect being human beings, but also the natural and spiritual world and I thought that came across wonderfully and I hope a lot of people get a sense of that; not to take away that we also have that warrior spirit.
Ever since I started acting, I've always spoken to our people about identity. I've spoken to kids, telling them: "Where do I get my strength to push through the barriers to get me where I'm at today? It's my culture and my traditions, you know?
Once you lose your parents, you get this numbness, this feeling of having to really be able to connect yourself with someone. I depended on my brothers for that connection, but to have that feeling of being taken care of... I lost it when my parents passed away.
When faced with structural injustice, especially in the form of oppressive military occupations, I have a tendency get a little worked up. So I was interested in learning more about the complicated conflict and decided I would lend some of my time and energy to do so.
I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.
With 'Smoke Signals,' the character was so much like me growing up. I lost my parents, and I wish I'd had an opportunity to find out where they were. So I was reflecting on how I grew up, that feeling of abandonment. That whole film was a reality that I always held back and kept to myself.
Some people look for a certain structure in their lives that they're comfortable with. People who work hard on the road as truckers, people who work hard using their hands. Then there are people who are fortunate enough to have my life, people who play these characters who embody these qualities.
When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.
I'm not gonna fall. I'm tired of falling. I'm tired of seeing our people fall. I don't believe in failure. It's what we put in our minds and our hearts to succeed. And success isn't about money. Success isn't about the biggest house in the world. Success is about loving your family, taking care of your child.
I think when I started acting it was the first time I got the freedom of expression. I was able to express certain emotions and feelings that I could put into other characters, so it was a good way for me to run away from ho I personally was. I could be a ninja, I could be a pirate or I could be in a play y'know.
We [Americans] have a historical trauma when it comes to the past relationships when it comes to Native Americans and the history of how America was created. With this film, it's nice to see that the trauma is presented from a white male that was in the Civil War and that trauma affects him in a way that still exists.
Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
Those traumas when it comes to the historical past generation to generation; our children, our grandchildren, our future grandchildren learn these behaviors. We have to know that they exist and we have to take care of those traumas and learn to heal from them. This movie shows that perspective from Scott's character, and I love it. It shows the American Indians as the ones who respect and help out when people are needed. It's a nice little twist.
Acting for me was an escape and it wasn't until Smoke Signals that made me realize that acting is a personal development and challenge to grow. Smoke Signals really mirrored the way I grew up and how I felt, and that movie was the first time I'd dealt with my parents' death and how I felt that loss and sadness and anger. After that movie I said, "Y'know what, I have to realistically wear my emotions now when I do a job. That's gotta be as real as it gets. It's not just dialogue anymore."
Well to me growing, up I've had my own psychological war with my parents dying at such a young age. My mother was killed by a drunk driver, then two months later my father drowned. He was out with his friends drinking and on medication for depression, and he didn't come out of the water alive. Growing up with sexual abuse and having to be in gangs and dealing with my own trauma; finding the cultural identity when I was 16, and learning those traditional ways saved me from hurting myself.